The Barber of Seville " review
Coliseum, LondonJonathan Miller's classic staging, first seen in 1987, is back for another run. This time, there's a soprano Rosina, instead of the lower mezzo the part was written for. What the character loses in terms of depth and warmth, Lucy Crowe makes up for in sparkle; her numerous added high notes gives her confident realisation an extra touch of brilliance.Neither Andrew Kennedy's Almaviva nor Benedict Nelso…
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