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Degas and the Ballet: Picturing Movement " review by Laura Cumming

Royal Academy, LondonThe Royal Academy's mesmerising Degas and the Ballet begins and ends with the artist himself: dark-eyed and wary at the door in a lifesize photograph, half-blind in a tantalising film in the final room. In between are more than 40 years of ballet dancers shifting through a thousand different positions, depicted from every angle, in one ever-changing performance. Yet it is not the dancers but the …

SOURCE: The Guardian at 6:30pm on September 17, 2011

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