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Desh " review by Luke Jennings

Curve theatre, LeicesterIn the opening moments of Desh (homeland), Akram Khan walks on to the stage in shirt and dhoti trousers. His tread is weary and he is holding a lamp, as if clocking on for some grim night shift. Taking a sledgehammer, he delivers blow after crashing blow to a raised iron plate. Its function is unclear but it might be a manhole cover, the point of entry to some dark subterraneum. Eventually Kha…

SOURCE: The Guardian at 6:31pm on September 17, 2011

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