'Dog Day Afternoon' Jon Bernthal can't escape Al Pacino's long shadow (Broadway review)
In his Broadway debut, Jon Bernthal struts and frets in a serviceable facsimile of Al Pacino in the new stage adaptation of Dog Day Afternoon " but the new production joins a recent list of film-based nonmusicals like last year's Good Night, and Good Luck that fails to justify its existence in a new medium. […]
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