‘Degenerates’ brilliantly infiltrates the guts of incel culture (Off Broadway review)
Degenerates transforms ripped-from-the-headlines sociology into incisive character study. This is engrossing, essential theater that should not be missed
Degenerates transforms ripped-from-the-headlines sociology into incisive character study. This is engrossing, essential theater that should not be missed
While 'School Girls' sprays a thin mist of social commentary over its familiar story, it truly shines in the comedic set pieces.
Jacob Ming-Trent details an absorbing, often haunting journey through the darkness of his hardscrabble upbringing in lower-middle-class Pittsburgh
Igor Golyak's adaptation of Ionesco's lesser-known 1962 play is a rib-tickling, thought-provoking dark comedy for the age of doomscrolling.
There's something fresh here, and vital, an attempt to wrestle in 21st-century terms with Chekhov's themes about an economic system on the brink of collapse
Marin Ireland, who based the play on her own well-publicized experience with domestic violence. has written an actorly play that allows its entire cast to shine
Smith's monologue is fascinating, discursive, highly poetic -- and delivered with the barefoot confidence of a veteran sideman from some smoky downtown jazz club
Too often, the participatory approach to this revival turns Shakespeare's poetry into little more than a high school cheer squad's call-and-response routine.
The show, drawn from actual testimony at the Clarence Thomas and Brett Kavanaugh confirmation hearings, is both fascinating and deliberately infuriating, but the format of the show itself ca…
Damien Warren-Smith's show creates an antic sense of mayhem that may leave you gasping. Sometimes with laughter, but just as often with, "Did he just do that?" And more tellingly, "Did he j…
The immersive update of Arthur Schnitzler's 'La Ronde' presents a kind of cobblestone-sidewalk disco ballet with an athletic cast of young dancers and one of the most enchanting backdrops im…
The show re-creates the communal feeling of being in a crowded theater for a horror film, with the added benefit of having both a live audience as well as performers who feed off all that pu…
Sam Underwood, wearing a perma-frown and furrowed brow whose lines are deep enough to sow crops, plays an Ivanov who's out of place in his society as well as in this muddled production.
After a summer marked by depressing news about the state of Broadway and the early closure of acclaimed productions like Cats: The Jellicle Ball and Chess, theater fans can gear up for a fal…
There’s a lot to admire in Daniel Sullivan’s spirited new production of William Shakespeare’s The Winter’s Tale, now playing at the Public Theater’s Delacorte Theater in Central Pa…
The ’90s were a rough time for women in politics. During Bill Clinton’s 1992 presidential campaign, Hillary Clinton famously sparked a public outcry for defending her choice to pursue le…
For decades, sports culture has embraced a kind of hyper-masculinity that rejects even the appearance of softness or vulnerability. Even in 2026, a half century after the Stonewall revolutio…
Search “hiking boots” once and darned if you’re not bombarded with ads for REI, LL Bean, and Dick’s for the next month everywhere you go online. That phenomenon is at the heart of An…
One year after breaking into the mainstream with a 2022 Netflix special, the comedian/cabaret singer Catherine Cohen suffered a stroke. She was 31, days away from a European tour, and sudden…
Ivan Howe and Julius Rinzel are magnificent as two young altar servers whose faith is put to the test in Bubba Weiler's compelling follow-up to "Well, I'll Let You Go."
With ticket prices for hit Broadway shows like Oh, Mary! and Just in Time consistently topping $500 apiece, you might think that New York theater is the exclusive domain of the one percent. …
It’s rare to see a Broadway show that improves over time. Just in Time, the year-old biomusical about mid-20th-century crooner Bobby Darin, has emerged as a sprightly and delightful vehicl…
When they first meet in Mr. Harris’s year-12 philosophy class, the two characters in Benedict Lombe’s sweet but derivative two-hander Shifters feel an immediate spark. Sure, they seem to…
Revivals are a tricky thing. There are particular challenges when mounting solo pieces long associated with a single performer (who frequently is the author). In recent years, we’ve gotten…
Can we declare a moratorium on meta musicals about the act of writing a musical? I’ve admired shows like Tick, Tick… Boom!, A Strange Loop, and [title of show] but at some point one grow…