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264 stories from Culture Sauce

‘The King’s Critique’ is an unruly royal pain of a musical (Off Broadway review) by Thom Geier

A musical by theater nerds, for theater nerds, ‘The King’s Critique’ has a pleasant score and a book in desperate need of an editor.

SOURCE: Culture Sauce at 9:00pm on November 12, 2026☆⚑

‘The Ripple, The Wave That Carried Me Home’ finds hidden depths in a watery memory play (Off Broadway review) by Thom Geier

There's an undeniable power to Christina Anderson's lyricism, and to the ways this Playwrights Horizons production brings her ideas to the surface with theatrical originality.

SOURCE: Culture Sauce at 6:00am on November 10, 2026☆⚑

‘Here There Are Blueberries’ turns Auschwitz snapshots into a haunting study of complicity (Broadway review) by Thom Geier

Moisés Kaufman’s drama follows archivists examining a Nazi officer’s photo album, and its calm, methodical approach delivers a wallop.

SOURCE: Culture Sauce at 10:00pm on November 9, 2026☆⚑

‘The Visitors’ turns a hunt for a kidney into a darkly funny family feud (Off Broadway review) by Thom Geier

There's an honesty to Bryna Turner's characterizations in 'The Visitors,' and a genuine humor, that justify spending time with this fractured family

SOURCE: Culture Sauce at 9:00pm on November 9, 2026☆⚑

‘Wanted’ raises the roof with vocal fireworks in an overly ambitious outlaw story (Broadway review) by Thom Geier

Solea Pfeiffer and Liisi LaFontaine make memorable Broadway debuts as outlaw sisters in a gospel and R&B musical that’s thrilling to hear but overstuffed with plot and songs.

SOURCE: Culture Sauce at 10:00pm on November 8, 2026☆⚑

‘Ms. Blakk for President’ sashays through an historic footnote (Off Broadway review) by Thom Geier

Ato Blankson-Wood struts through a real drag queen's 1992 presidential campaign in an immersive show that never digs too deeply into history or its hero.

SOURCE: Culture Sauce at 7:00pm on November 8, 2026☆⚑

Emma Rice’s ‘Tristan & Yseult’ blends myth, music, and comic mayhem (Off Broadway review) by Thom Geier

Emma Rice’s revival of her breakout hit retells a medieval love story with rhymed couplets, pop songs, and aerial tricks. It’s a little needy, but it’s a joy.

SOURCE: Culture Sauce at 10:00pm on November 6, 2026☆⚑

‘The Verge’ digs up a century-old Susan Glaspell rarity that never takes root (Off Broadway review) by Thom Geier

Fiasco Theater’s stripped-down approach can’t rescue Susan Glaspell’s century-old drama about a botanist who rejects everyone in her path. Miriam Silverman is compelling, but The Verge…

SOURCE: Culture Sauce at 10:00pm on November 5, 2026☆⚑

‘The Unbelievers’ spotlights Lauren Ambrose in a bumpy drama about loss (Off Broadway review) by Thom Geier

Lauren Ambrose may be best known for playing rebellious daughter Claire in the early-aughts HBO drama Six Feet Under, but she’s made a distinguished career for herself on the New York stag…

SOURCE: Culture Sauce at 9:30pm on November 5, 2026☆⚑

‘2:22 A Ghost Story’ is a clockwork exercise in onstage horror (Off Broadway review) by Thom Geier

A fixer-upper, a ticking clock, and a cursed teddy bear. Danny Robins’ puzzle-box horror play looks the part, but the jump scares overshadow the characters

SOURCE: Culture Sauce at 9:00pm on November 5, 2026☆⚑

‘We’ll See’ revisits the Apple family amid the ongoing MAGA migraine (Off Broadway review) by Thom Geier

Writer-director Richard Nelson's Apple family returns to the Public Theater, where a veteran ensemble turns a MAGA-era kitchen chat into a warm refuge.

SOURCE: Culture Sauce at 10:45pm on November 3, 2026☆⚑

Hitchcock’s ‘Rope’ gets a queerer, bloodier makeover that goes for shock over suspense (Off Broadway review) by Thom Geier

Cameron Monaghan and Corey Fogelmanis play a Leopold-and-Loeb-inspired couple in The New Group’s adaptation of Patrick Hamilton’s play, but it lacks the suspense of Hitchcock’s film.

SOURCE: Culture Sauce at 7:00pm on November 3, 2026☆⚑

‘Waiting for Lefty’ turns Clifford Odets’ Depression-era drama into a musical (Off Broadway review) by Thom Geier

Steven Pasquale’s directorial debut adds classic protest songs and a cast of 10 actor-musicians to Clifford Odets’ Depression-era drama, and the outrages still resonate.

SOURCE: Culture Sauce at 9:00pm on November 2, 2026☆⚑

‘In the Heights’ speaks to a new generation in a gorgeously sung Encores! revival (Off Broadway review) by Thom Geier

David Mendizábal’s Encores! revival of Lin-Manuel Miranda’s first hit brings a new generation of golden voices to Washington Heights, but the staging doesn’t always keep pace.

SOURCE: Culture Sauce at 11:30am on October 30, 2026☆⚑

‘A Few Good Men’ remains a crackerjack courtroom drama (Broadway review) by Thom Geier

Michael Arden’s cinematic revival of Aaron Sorkin’s courtroom drama stars Tom Blyth and Bradley Whitford, and it remains a crackerjack piece of storytelling.

SOURCE: Culture Sauce at 9:00pm on October 29, 2026☆⚑

‘The Heart’ sets a transplant to an EDM-lite beat but never gets under the skin (Off Broadway review) by Thom Geier

Christopher Ashley directs a sleek, EDM-lite musical about a heart transplant, with a talented cast including Heidi Blickenstaff, but the show show stints on emotional connections.

SOURCE: Culture Sauce at 8:00pm on October 29, 2026☆⚑

‘I Became We’ turns one woman’s inner voice into an astonishing 16-person choir (Off Broadway review) by Thom Geier

Mona Pirnot and composer Jack D. Coen turn a thirtysomething playwright’s contemplation of her future into a 70-minute choral work that’s funny, thoughtful, and deeply moving.

SOURCE: Culture Sauce at 8:30pm on October 27, 2026☆⚑

‘A Ghost in Your Ear’ injects spine-tingling terror right into your ears (Off Broadway review) by Thom Geier

Lucas Iverson of The Pitt shines in an Off Broadway chiller that pipes a first-person ghost story straight into your ears, and the scares don’t stay on the page.

SOURCE: Culture Sauce at 11:00am on October 23, 2026☆⚑

‘The Imaginary Invalid’ makes a mountain of laughs out of a Molière hill (Broadway review) by Thom Geier

Bill Irwin and Rachel Bloom lead a cast of zanies in Brandon J. Dirden’s lush Broadway revival of Molière’s ‘The Imaginary Invalid.’

SOURCE: Culture Sauce at 10:00pm on October 22, 2026☆⚑

‘The Curious Case of Benjamin Button’ ages backward to a folksy British beat (Off Broadway review) by Thom Geier

Andrew Durand ages backward in ‘The Curious Case of Benjamin Button,’ from gravel-voiced old man to mature baritone to bouncy youth

SOURCE: Culture Sauce at 10:00pm on October 21, 2026☆⚑

Billy Crystal’s ‘860’ rummages through the past for a comfy cardigan of a show (Broadway review) by Thom Geier

With his round face, twinkly eyes, and slight paunch, Crystal looks like his reputation: the most edgeless comic of his generation. His fans love him for just this quality, and 860 delivers …

SOURCE: Culture Sauce at 9:00pm on October 21, 2026☆⚑

‘King of the Yees’ takes an antic tour through Chinatown (Off Broadway review) by Thom Geier

Under the stop-and-go direction of Joshua Kahan Brody, this revival feels like an early work where Yee hasn't yet sharpened her sense of timing or the flow between comedic set pieces and the…

SOURCE: Culture Sauce at 9:00pm on October 19, 2026☆⚑

Julia Louis-Dreyfus crackles as a brittle Hollywood matriarch in ‘Other Desert Cities’ (Broadway review) by Thom Geier

It’s only been 15 years since Jon Robin Baitz’s Other Desert Cities premiered on New York stages. Even at that time, the show seemed like a throwback in many ways. Baitz had crafted a we…

SOURCE: Culture Sauce at 12:00am on October 19, 2026☆⚑

Caryl Churchill’s ‘Triumph’ views the fall of Rome through a Foxy blond flack (Off Broadway review) by Thom Geier

With Triumph, Caryl Churchill proves that theater still has the power to speak boldly to the current moment -- even while evoking the wisdom and lessons of civilizations from centuries past.

SOURCE: Culture Sauce at 12:00pm on October 18, 2026☆⚑

Todrick Hall does it all in the beautiful, bloated musical ‘Midnight’ and that’s the problem (Off Broadway review) by Thom Geier

Todrick Hall’s sprawling antebellum musical ‘Midnight’ boasts gorgeous harmonies and powerhouse vocals but gets buried under its own ambition

SOURCE: Culture Sauce at 10:00am on October 16, 2026☆⚑
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