Kieran Culkin mixes up the rat-a-tat rhythms of an uneven 'Glengarry Glen Ross' (Broadway review) by Thom Geier

The Chicago salesmen cursing and scheming in David Mamet's 1983 drama Glengarry Glen Ross are just as small (and petty) as ever, but to invert the words of Norma Desmond in Sunset Boulevard, it's the picture that's gotten big. In the case of the starry new revival at the cavernous Palace Theatre, very big indeed. […]

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