Belgrade theatre, CoventryCorey Campbell's impressionistic production can lose focus but it benefits from engaging performances We never get to see Vivienne Mavis Taylor in this devised production. She is the Big Aunty of the title and is dead as soon as the play has begun. Her coffin takes centre stage for much of the show, but the world is already moving on. Absent though she is, she makes her presence felt in the …
SOURCE: The Guardian at 06:18AM on April 28, 2023