Pitlochry Festival theatreDavid Greig's two-hander adapted from Charlotte Higgins's nonfiction book about our ancient past is a sweet meander There can't be many plays in which the emotional turning point is an argument over Henry Purcell's Dido's Lament. But then there can't be many plays inspired by a Romans-in-Britain travelogue by the Guardian's chief culture writer. Unlikely though it might seem, David Greig's t…
SOURCE: The Guardian at 10:55AM on August 12, 2022