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'It's about German guilt': Why The Tin Drum still divides audiences by Philip Oltermann In Berlin

The stage version of Günter Grass's 1959 novel is set to open in London " with its 'unbearable' protagonist and tales of Nazi collaboration, it's as controversial as ever Every audience loves a hero, but Oskar Matzerath, one of the most unsettling literary characters of the 20th century, doesn't make it easy for the spectator. By the end of Oliver Reese's stage version of Günter Grass's novel The Tin Drum, of which…

SOURCE: The Guardian at 7:54am on February 20, 2020

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