Crucible, SheffieldTransformative puppetry, design and direction, and a great human lead, make this adaptation of Yann Martel's book unmissable A tip for playwrights: when you want to field a formidable character, make sure you give them a good build-up. Do as Lolita Chakrabarti does in her theatrically savvy adaptation of the Yann Martel novel and keep us waiting. By the time Richard Parker, the accidentally named B…
SOURCE: The Guardian at 07:24AM on July 9, 2019