BWW Review: The Mint Revives Lillian Hellman's Intriguing Labor Drama DAYS TO COME by Michael Dale

Perhaps if Clifford Odets' landmark pro-union drama, WAITING FOR LEFTY, hadn't opened the year before,Lillian Hellman's 1936 labor drama, DAYS TO COME, the sophomore Broadway effort of the playwright who made a huge name for herself two years earlier with THE CHILDREN'S HOUR, might have been better received.

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