The Barber of Seville review " engaging Rossini reboot of sight gags and
Festival theatre, EdinburghA young ensemble cast fizzes in Laurent Pelly's playful production, with Catherine Trottmann's agile Rosina most memorableThere's not a powdered wig or an 18th-century frock coat in sight in Théâtre des Champs-Élysées' production of The Barber of Seville. Laurent Pelly's modish take on Rossini's opera is an extended visual gag on the nuts and bolts of the composer's trade, the acti…
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