Machinal review " hellish vision of America as an assembly line
Almeida, LondonNatalie Abrahami directs Sophie Treadwell's unforgettable portrait of a young woman suffocating at home and workNow is obviously a good time to revive Sophie Treadwell's 1928 American play about women's historic sense of entrapment. Although I have one reservation about Natalie Abrahami's production, it is admirably faithful to the play's expressionist origins and never allows its astonishing design to…
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