Aisle View: Stop The Presses! by Steven Suskin

Aisle View: Another Star for <em> Hello, Dolly!</em> by Steven Suskin

Sean Hayes Ineligible and Other Tony Awards Takeaways by Cara Joy David

Identity Theft: The Aftermath 2016 by Michael Kaiser

Identity Theft: The Aftermath 2016 You might call 2016 the year of "the Cyber." With hackers targeting elections, ransomware

The Long Game View of Sports Marketing Takes Center Stage by Damian Bazadona

Aisle View: Behind <em>The Front Page</em> by Steven Suskin

Quick Questions with Holiday Inn Standout Megan Sikora by Cara Joy David

First Nighter: The Actors Company Theatre "She Stoops to Conquer" Revival Remains on its Haunches by David Finkle

About She Stoops to Conquer and just to fill in readers unaware of the plot: Mr. and Mrs. Hardcastle (John Rothman, Cynthia

First Nighter: The Actors Company Theatre "She Stoops to Conquer" Revival Remains on its Haunches by David Finkle

Aisle View: Two More for the Seesaw by Steven Suskin

First Nighter: "Inner Voices" Series Introduces Three Strong One-Act Solo Musicals by David Finkle

That's right. It's no news that many comics have turned to telling jokes as a handy defense against deep-seated despair. Until

First Nighter: "Inner Voices" Series Introduces Three Strong One-Act Solo Musicals by David Finkle

Aisle View: Orange Pekoe on the Upper West Side by Steven Suskin

First Nighter: David Harrower's "Public Enemy" Doesn't Entirely Modernize Henrik Ibsen's "An Enemy of the People" by David Finkle

This at a time when stateside Democrats and Republicans--though democracy is often tested but not repudiated--are doing their

First Nighter: David Harrower's "Public Enemy" Doesn't Entirely Modernize Henrik Ibsen's "An Enemy of the People" by David Finkle

Aisle View: Soggy Firecrackers by Steven Suskin

First Nighter: Brian Friel's "Afterplay," Horton Foote's "The Roads to Home," Jonathan Rockefeller's "That Golden Girls Show! by David Finkle

Brian Friel took a more direct approach in 2002 with Afterplay, just revived at the Irish Repertory. (Don't confuse this

First Nighter: Brian Friel's "Afterplay," Horton Foote's "The Roads to Home," Jonathan Rockefeller's "That Golden Girls Show! by David Finkle

South by South Lawn: My Day with the President by Damian Bazadona

Aisle View: Ace in the Hole by Steven Suskin

Aisle View: Hearing Is Believing by Steven Suskin

First Nighter: Judith Light Illuminates Neil LaBute's "All The Ways to Say I Love You," Brian Quijada Shines in His "Where Did We Sit o by David Finkle

Now Neil LaBute uses <em>All the Ways to Say I Love You</em> as an illustration of the eventual devastation afflicting a teacher in the Midwest who strays with a student from her…

First Nighter: Judith Light Illuminates Neil LaBute's "All The Ways to Say I Love You," Brian Quijada Shines in His "Where Did We Sit o by David Finkle

Now Neil LaBute uses <em>All the Ways to Say I Love You</em> as an illustration of the eventual devastation afflicting a teacher in the Midwest who strays with a student from her…

Why I'm Most Excited About South by South Lawn by Damian Bazadona

First Nighter: Ars Nova's "Underground Railroad Game" Perhaps More Gamey Than Game by David Finkle

For their part, Kidwell and Sheppard have shaped a 75-minute piece taking on the pernicious persistence of racism in American