4,950 stories from National Public Radio
George Orwell's dystopia returned to bestseller lists after the inauguration. "It's quite something to bring it to New York now, in this political climate," says adaptation co-author Duncan …
This week, we talk about the superhero smash Wonder Woman, and we talk about Dear Evan Hansen, Oslo and some of the other big winners from Sunday night's Tonys.
A new musical seeks to present a different side of the emperor, known best for fiddling while Rome burned. But some historians object to what they see as the commercialization of Roman herit…
Delta pulled its sponsorship of New York City's Public Theater over a production of Julius Caesar that seems to depict an assassination of President Trump.
Delta pulled its sponsorship of New York City's Public Theater over a production of Julius Caesar that seems to depict an assassination of President Trump.
A New York production's Caesar has blond hair, a fondness for long ties and a wife who speaks with a Slavic accent. Delta said the assassination tale "crossed the line on the standards of go…
Off in the wings, stage managers coordinate cast and crew, calling hundreds of cues during Broadway performances. They may not win Tony Awards, but without them, not even the curtain would g…
Off in the wings, stage managers coordinate cast and crew, calling hundreds of cues during Broadway performances. They may not win Tony Awards, but without them, not even the curtain would g…
NPR's Michel Martin speaks with director Rachel Chavkin and actress Denée Benton of Broadway's Natasha, Pierre & The Great Comet of 1812, which retells Tolstoy's War and Peace with a divers…
Shedrick Yarkpai escaped war-torn Liberia under an assumed name, which he kept as he started a new life in Australia. Objects in the Mirror follows Yarkpai's struggle to reclaim his identity.
A small theater in Portland, Ore., cast an African-American actor in Edward Albee's Who's Afraid of Virginia Woolf? But the Albee estate wouldn't grant the rights to produce the 1962 play.
Wielding techniques from the global Theatre of the Oppressed movement used to train activists, one group challenges people to think beyond labels.
A small theater in Portland, Ore., cast an African-American actor in Edward Albee's Who's Afraid of Virginia Woolf? But the Albee estate wouldn't grant the rights to produce the 1962 play.
Within the Quota criticized the restrictive immigration laws passed by Congress after World War I. Now the Princeton University Ballet has brought the show back " with a few updates.
Merrill, the daughter of Wall Street broker E.F. Hutton and cereal heiress Marjorie Merriweather Post, went on to become a leading lady in movies. She died Monday at her home in East Hampton…
In the meantime, some are producing their own shows or creating material for alternative platforms like YouTube.
For his role as Pierre, Groban had to be able to play the accordion while navigating multiple sets of stairs. His replacement, Okieriete Onaodowan, has about two months to master the instrum…
In a New Orleans tradition dating back almost 35 years, soul singer Irma Thomas takes the stage at the Audubon Zoo to perform a special concert for fans on Mother's Day.
Normally, critical reviews can kill a Broadway show, but not so for kid-focused musicals. Anastasia and Charlie and the Chocolate Factory are currently on Broadway, vying for the kid seal of…
Normally, critical reviews can kill a Broadway show, but not so for kid-focused musicals. Anastasia and Charlie and the Chocolate Factory are currently on Broadway, vying for the kid seal of…
The Tony nominations are out, and unlike last year, there's no founding-fathers-shaped giant absorbing the oxygen.
A new Broadway production takes audiences through the history of Sholem Asch's 1907 Yiddish play God of Vengeance, about a Jewish brothel owner whose daughter falls in love with a woman.
Pulitzer Prize-winning playwright Paula Vogel is using a controversial Yiddish play more than a hundred years old as the basis for her first Broadway production.
Pulitzer Prize-winning playwright Paula Vogel is using a controversial Yiddish play more than a hundred years old as the basis for her first Broadway production.
A new Broadway production takes audiences through the history of Sholem Asch's 1907 Yiddish play God of Vengeance, about a Jewish brothel owner whose daughter falls in love with a woman.
