37,846 stories from The New York Times
The actress will make her Broadway debut in a role that, she said, "feels like a badge of honor."
An enthusiast went on a madcap adventure to find some fun events for all types across the city, from bingo fans to "Star Trek" aficionados.
"The Popinjay Cavalier," written and directed by Tarantino, will open next year. It is described as a "rambunctious comedy of deception" set in 1830s Europe.
Skyrocketing budgets and falling profitability have driven a new form of offshoring, with U.S. producers staging shows across the Atlantic.
At the Dance Reflections festival, Nacera Belaza, Anne Teresa De Keersmaeker and Noé Soulier all attempted some form of going back to basics. Results varied.
American Ballet Theater opened a short spring season at Lincoln Center with a full-length work by Lar Lubovitch from 1997. Time hasn't freshened it up.
"The Testament of Ann Lee" and Shaker traditions represent how movement has been a constantly evolving conduit to heaven.
The Times's new chief theater critic is taking up the mantle as the industry moves over rocky ground.
This art form is alive, and Chalamet, who comes from a dance family, knows it. But what value does ballet have for the world at large?
After a prizewinning "Fiddler on the Roof" and a lauded take on Sondheim, Jordan Fein is tackling Arthur Miller's enigmatic "Broken Glass."
The free-spirited figure skater spoke to our dance critic about her approach to performing, the role of music and more.
The playwright and his collaborator André Gregory are together again, delivering a sumptuous set of interlinked monologues about life, death and betrayal.
The two musicals secured 11 nominations each for Britain's equivalent of the Tony Awards. Cate Blanchett, Bryan Cranston and Rachel Zegler are also among the nominees.
By transmitting his love of live performance, the "Just in Time" actor has completed his ascendance to full musical stardom.
The actor Chadwick Boseman was a playwright, too. At Shakespeare's Globe in London, his "Deep Azure" is drawing attention to a lost talent inspired by the Bard.
Hugh Jackman returns in "Sexual Misconduct of the Middle Classes," Jesse Tyler Ferguson plays Truman Capote, and Celia Keenan-Bolger and Tony Shalhoub star in an "Antigone" riff.
The Lazours' intimate new musical about illness and mortality is also about finding solace in other people, and in art.
In the stage versions of two beloved books, the most impressive moments emerge when the productions stray from the source material.
Benjamin Millepied's "Romeo and Juliet Suite," with its unusual approach to dance coupling and live performance, comes to the Park Avenue Armory.
The new musical from the comedian Amber Ruffin has a wholesome moral and silliness in spades.
Opening a decade after "Fun Home" debuted on Broadway, the new musical "Starstruck" has a lesbian protagonist and a female creative team. That still seems radical.
Annabelle Lopez Ochoa's new ballet, based on the life of one of the first modern lesbians, is changing how dancers view their traditional roles.
Benjamin Millepied's "Romeo and Juliet Suite" involves a mixed approach to performance, as well as mixed gender pairings for its star-crossed lovers.
The ballet company, one of the country's most prestigious, had been under pressure to cancel its shows amid President Trump's takeover of the performing arts center.
With her frenetic energy and 4-foot-10 frame, Ms. Lee seemed destined to play a certain kind of stage character: excitable, endearing and charmingly scheming.
