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3,308 stories from Newsday

Broadway musicals reinvented through nonprofit routes

The early season has been a bit sleepy in production of new Broadway musicals. When "A Bronx Tale: The Musical," "Dear Evan Hansen" and "In Transit" finally open after the Thanksgiving weeke…

SOURCE: Newsday Subscription at 5:54pm on November 21, 2016

'Hamilton' actor: 'There's nothing to apologize for'

Donald Trump is welcome to come see 'Hamilton," said the actor whose curtain call speech Friday created a social-media uproar. But the president-elect shouldn't expect the apology he has rep…

SOURCE: Newsday Subscription at 10:54am on November 21, 2016

'Sweet Charity' review: Sutton Foster steals the show

If Bob Fosse could see her now, what would he make of Charity Hope Valentine in the revisionist, Off-Broadway revival of "Sweet Charity" in a 222-seat theater? More to the point, would he an…

SOURCE: Newsday Subscription at 10:42pm on November 20, 2016

Donald Trump demands 'Hamilton' star apologizes to Mike Pence

The producer and creators of "Hamilton" have refused to respond to President-elect Donald Trump's request for an apology for what he described as harassment of Vice President-elect Mike Penc…

SOURCE: Newsday Subscription at 5:54pm on November 19, 2016

'Dead Poets Society' review: Jason Sudeikis triumphs in Robin Williams role

Jason Sudeikis begins his New York stage debut by whistling Beethoven's "Ode to Joy" in tune without breaking a sweat. And that's hardly the only remarkable accomplishment in the actor's por…

SOURCE: Newsday Subscription at 10:12pm on November 17, 2016

'Great Comet' review: Musical provides a great escape

If you want to get away -- I mean really, really away -- from concerns of the day, here is "Natasha, Pierre and the Great Comet of 1812." It's a massive, luscious, romantic escape into decad…

SOURCE: Newsday Subscription at 9:54pm on November 14, 2016

'Death of the Last Black Man' review: A Suzan-Lori Parks gem

A dozen years before Suzan-Lori Parks earned her Pulitzer Prize for "Topdog / Underdog" and went to Broadway, she already was uncompromising, strenuous and stylistically daring. She also was…

SOURCE: Newsday Subscription at 9:48pm on November 13, 2016

Daniel Craig, Jason Sudeikis: Big names light up small venues

You may not notice, but the staff at New York Theatre Workshop is wearing identification badges at the tiny East Village playhouse these days. This may seem a small concession compared with …

SOURCE: Newsday Subscription at 6:12pm on November 11, 2016

'Women of a Certain Age' review: The results are in

"No one wants to be home alone tonight," says an anxious, troubled member of the family in "Women of a Certain Age," the third and final part of Richard Nelson's "The Gabriels: Election Year…

SOURCE: Newsday Subscription at 4:06pm on November 11, 2016

'Gypsy' review: Filming strips London 'Gypsy' of some of its luster

WHAT IT'S ABOUT For reasons unknown, London did not have a revival of "Gypsy" for more than 40 years. Then came director Jonathan Kent's ecstatically received production, starring Imelda Sta…

SOURCE: Newsday Subscription at 8:36pm on November 9, 2016

' 'Master Harold' . . . and the Boys' review: Powerful revival

Athol Fugard recently described "a thought in the back of my head" that, perhaps, it was time to revisit his beautiful and upsetting South African play, " 'Master Harold' . . . and the Boys.…

SOURCE: Newsday Subscription at 9:31pm on November 7, 2016

Drama in theater world over the rite of Broadway previews

It has been a refreshingly long time since the subject of Broadway previews was in the news.

SOURCE: Newsday Subscription at 2:54pm on November 7, 2016

'Sweat' review: Lynn Nottage's hard look at Rust Belt characters

There's no need to ask the factory workers who come alive in "Sweat" how they feel about NAFTA, or global trade or, perhaps, even the presidential election.

SOURCE: Newsday Subscription at 10:06pm on November 3, 2016

'Notes From the Field' review: 17 gripping people in one

Anna Deavere Smith introduces us to 17 very different people in "Notes From the Field," her latest uncanny solo journey in multi-character documentary theater. And each time I think back on …

SOURCE: Newsday Subscription at 9:36pm on November 2, 2016

Richard Nelson's long 'Gabriels' campaign nears election-night end

You think you're stressed out from the craziness and meanness of the coming election? You may even be anxious from reading articles about how stressed Americans are feeling about the wild sw…

SOURCE: Newsday Subscription at 12:54pm on November 1, 2016

Schreiber, McTeer play with fire in 'Les Liaisons Dangereuses'

Long before there was Ray Donovan, there was Liev Schreiber, the reliably stunning stage actor.

SOURCE: Newsday Subscription at 9:54pm on October 30, 2016

'Falsettos' review: Revival still passionate, powerful and funny, too

Almost a quarter of an eventful century has roiled the country since "Falsettos" broke ground as Broadway's first -- and, in my experience, still the only -- musical tragicomedy about AIDS. …

SOURCE: Newsday Subscription at 9:42pm on October 27, 2016

'A Life' review: Star-crossed tale of intimacy and heartbreak

It is hard to imagine bad things happening to David Hyde Pierce or, more specifically, to any of the men he plays. With a head that always reminds me of a bright light bulb, he projects an e…

SOURCE: Newsday Subscription at 9:16pm on October 24, 2016

'Plenty' review: Rachel Weisz spellbinding in Hare's deep drama

David Hare, extraordinary British playwright of conscience, has created some of the most complex, intelligent, fascinating female characters in modern theater.

SOURCE: Newsday Subscription at 9:21pm on October 23, 2016

Review: 'Love, Love, Love's' Beatles babies, bitter boomers

"Love, Love, Love" -- named after the Beatles' "All you need is love" optimism of 1967 -- is apparently meant to be social commentary about havoc wreaked on others as the baby boomers grew u…

SOURCE: Newsday Subscription at 7:20pm on October 23, 2016

David Mamet, Athol Fugard and the playwright/director divide

The division of labor -- you know, who did what to whom and why? -- can be one of the fuzzier areas of theatergoing.

SOURCE: Newsday Subscription at 5:56pm on October 21, 2016

'Front Page' review: Nathan Lane delivers just before deadline

Nearly two hours pass before Nathan Lane, playing crusty Chicago newspaper editor Walter Burns, blows into the old press room of the Criminal Courts building, tucks his head into his shoulde…

SOURCE: Newsday Subscription at 2:30pm on October 21, 2016

Anna Deavere Smith solos again with another 'tough topic'

She hadn't intended to be back here and doing this, at least not now.

SOURCE: Newsday Subscription at 2:30pm on October 17, 2016

'Cherry Orchard' review: Diane Lane stars in letdown of an update

The much-anticipated production, with Diane Lane at the top of a blazingly promising cast, is perplexing, stylistic gibberish.

SOURCE: Newsday Subscription at 10:15pm on October 16, 2016

'Heisenberg' review: A magnetizing encounter with Mary-Louise Parker

Last year, Mary-Louise Parker and Denis Arndt sparked enchanting, offbeat brilliance in Manhattan Theatre Club's brief Off-Broadway run of "Heisenberg," the 80-minute maybe-love story that t…

SOURCE: Newsday Subscription at 10:08pm on October 13, 2016
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