'Falsettos' review: Revival still passionate, powerful and funny, too
Almost a quarter of an eventful century has roiled the country since "Falsettos" broke ground as Broadway's first -- and, in my experience, still the only -- musical tragicomedy about AIDS. The show remains brave and hilarious, a charming and deeply moving treasure. Make that two shows, created in 1981 and 1990 as separate one-acts by director/co-author James Lapine and composer/lyricist/co-author William Finn, then …