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10,593 stories from A Younger Theatre

Review: Porgy and Bess, London Coliseum by Sebastian Calver

Porgy and Bess collaborates vocal excellence with truthful relationships and powerful drama to amalgamate into a visual and audible rollercoaster. Porgy and Bess, a well-known George and Ira…

SOURCE: A Younger Theatre at 2:06pm on October 14, 2018

Review: othellomacbeth, Lyric Hammersmith by Olivia Gibbs-fairley

One can expect several things when going to watch a tragedy of William Shakespeare; it'll be long, there'll be at least one death and it'll be both a cerebral and emotional experience. Watch…

SOURCE: A Younger Theatre at 2:06pm on October 14, 2018

Review: Elephant and Castle, Camden People's Theatre by A Younger Theatre

For those of us who have been nurturing a 1927 shaped hole in our hearts since Golem left theatres in 2015, we have been offered some slight relief.  This relief takes the form of Elephan…

SOURCE: A Younger Theatre at 11:48am on October 14, 2018

Review: Dracula, Jack Studio Theatre by Grace Patrick

It takes some self belief to decide to take on a novel like Dracula. It's one of only a few novels that have remained in print since its publishing in 1896, and it is undeniably well covered…

SOURCE: A Younger Theatre at 10:48am on October 14, 2018

Review: Much Ado About Nothing, Watford Palace Theatre by Alannah Jones

Upon entering the Watford Palace Theatre (after a surprising quick journey from Euston) I am utterly charmed by the sand bags, air raid warnings and women in vintage army uniforms dotted abo…

SOURCE: A Younger Theatre at 6:18am on October 13, 2018

Review: I'm a Phoenix, Bitch, Battersea Arts Centre by Dovydas Laurinaitis

"Welcome to my therapy," Bryony Kimmings states at the beginning of her new 80- minute work, I'm a Phoenix, Bitch. Inhabiting the vastness of the recently re-opened Great Hall of the Batters…

SOURCE: A Younger Theatre at 6:04am on October 13, 2018

Review: I'm Not Running, Lyttleton Theatre by Jessica Handscomb

If the phrase "I'm not running", or anything similar to it ever falls from a politician's lips, we can usually safely assume that they will be doing just that, and they're just waiting for t…

SOURCE: A Younger Theatre at 6:04am on October 13, 2018

I have been running a feminist theatre for over ten years by Brigid Lamour

As Artistic Director and Chief Executive of Watford Palace Theatre, I have been running a feminist theatre for over ten years.  This simply means that I try to give equal creative opportu…

SOURCE: A Younger Theatre at 5:06pm on October 12, 2018

Review: The Pass, The Playground Theatre by Anna Zanetti

Denise Marsa is one of a kind. She's a force of nature, a life-affirming singer, an overwhelmingly positive presence. Fuelled by her passion, she walks on stage with total confidence. Comple…

SOURCE: A Younger Theatre at 6:18am on October 12, 2018

Review: (No) Leaves On My Precious Self, King's Head by Sebastian Calver

(No) Leaves on my precious self is an endearing, honest and vulnerable piece of writing exploring the hardships of a career in a forever changing, always judging art form that some of us cal…

SOURCE: A Younger Theatre at 6:12pm on October 11, 2018

Review: Love, Genius and a Walk, Drayton Arms Theatre by A Younger Theatre

Gustav Mahler lived quite the life. A genius late romantic composer and acclaimed conductor, who famously sought psychological advice from Freud, he was connected (willingly or unwillingly) …

SOURCE: A Younger Theatre at 6:12am on October 11, 2018

Ticket Offer: £10 tickets to SUMMIT at Shoreditch Town Hall by Jake Orr

The use of integrated BSL is quite a thing at the moment with Deafinitely Theatre’s take on Sarah Kane’s 4.48 Psychosis and SUMMIT a new play by Andy Smith. Lucky for you we have…

SOURCE: A Younger Theatre at 4:04am on October 11, 2018

Emma Rice: "I still feel like a struggling artist full of dreams and doubts!" by Josephine Balfour-oatts

Josephine Balfour Oatts has a natter over email with Emma Rice, former Artistic Director of The Globe about her new company, Wise Children, passion for touring and the clowning schools of Pa…

SOURCE: A Younger Theatre at 7:12pm on October 10, 2018

Review: Mayerling, The Royal Opera House by Manuel Muñoz

There are some episodes in history that are morbidly fascinating. The story of Crown Prince Rudolf of Austria-Hungary (1858-1889) and his life of excess, frustration, sex and death is one of…

SOURCE: A Younger Theatre at 12:12pm on October 9, 2018

Review: The Art of Gaman, Theatre503 by Olivia Lunn

‘Gaman’ is a Japanese word that cannot be adequately translated into English. Instead, Director Ailin Conant unravels its meaning through a play that is drenched in metaphors. Fi…

SOURCE: A Younger Theatre at 11:06am on October 9, 2018

Review: Twelfth Night, Young Vic by Sebastian Calver

Kwame Kwei Armah and Oskar Eustis' Twelfth Night is slick, easy to follow, genuine and (of all qualities to aspire most to in a piece of new work), powerful. It is packed with musical genius…

SOURCE: A Younger Theatre at 10:04am on October 9, 2018

I'm a woman with ADHD and I'm going to be loud and proud by Sarah Emmott

I've always had a brain like Piccadilly Circus and a body like a coiled spring. I'm a child of the 80s, so when my mum asked a doctor for advice he told her to just keep me busy, and I kept …

SOURCE: A Younger Theatre at 2:12pm on October 8, 2018

Review: We've Got Each Other, Pleasance Theatre by Sebastian Calver

For a Bon Jovi amateur whose fandom is limited to Livin’ On A Prayer, my knowledge needn’t be more experienced! Paul O'Donnell takes us on an idea for a Bon Jovi musical, relying…

SOURCE: A Younger Theatre at 11:04am on October 8, 2018

Review: The Sweet Science of Bruising, Southwark Playhouse by Saskia Coomber

Set during the not-so-distant past of the Victorian era where women did not have the right to higher education and were expected to play an ever-subservient role, Joy Wilkinson's The Sweet S…

SOURCE: A Younger Theatre at 6:36am on October 8, 2018

Review: Drip Feed, Soho Theatre by Grace Patrick

Drip Feed at the Soho theatre is, in a few different ways, painful to watch. I don't mean this as a negative comment – the play knows exactly what it is doing, and it enjoys it. The ma…

SOURCE: A Younger Theatre at 9:42am on October 7, 2018

Review: A Funny Thing Happened on the way to the Gynecologic Oncology Unit at Memorial Hospital Sloan Kettering Cancer Center of New York City, Finbor by Hilary Webb

The European debut of Halley Feiffer's play A Funny Thing Happened on the way to the Gynecologic Oncology Unit at Memorial Hospital Sloan Kettering Cancer Center of New York City is currentl…

SOURCE: A Younger Theatre at 6:18am on October 7, 2018

Review: Side Show, Bussey Building by Olivia Lunn

Dom O'Halon's musical Side Show pays homage to the Siamese twins Daisy and Violet Hilton, staging the tumultuous story of their upbringing, followed by the gloomy realities of celebratory st…

SOURCE: A Younger Theatre at 6:18am on October 7, 2018

Review: The Malady of Death (La Maladie de la mort), Barbican Theatre by Dovydas Laurinaitis

The outer shell of the stage recedes to reveal a different kind of artifice. Film crew and stage-hands in black tend to final preparations, as the actors linger patiently, meeting each other…

SOURCE: A Younger Theatre at 2:04pm on October 6, 2018

Ticket Offer: £15 tickets to Pinter at the Pinter by A Younger Theatre

When we found out Jamie Lloyd was to take over the Harold Pinter Theatre with a celebration of One Act Pinter plays staring some of the biggest names in theatre, we got a little excited. …

SOURCE: A Younger Theatre at 8:36am on October 6, 2018

Review: Hedgehogs and Porcupines, Old Red Lion Theatre by Grace Patrick

I don't know if it's because I'm not a twenty-something in a rocky relationship, or because I'm just not the right type of person, but I couldn't feel any genuine connection to Hedgehogs and…

SOURCE: A Younger Theatre at 10:42am on October 5, 2018
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