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4,600 stories from Toronto Star

Trigonometry play is not quite the sum of its parts: review by Carly Maga - Theatre Critic

Writer-director Rob Kempson presents third and final episode in his Graduation Play series.

SOURCE: Toronto Star at 2:40pm on March 17, 2017

A City is based on a true story " sort of: Wednesday Matinée by Carly Maga - Theatre Critic

Greg MacArthur blends fact and fiction in his work in a bid to give audiences a different type of authenticity.

SOURCE: Toronto Star at 9:00am on March 15, 2017

Love, Sex & Brahms packs more in its comeback by Michael Crabb

Choreographer James Kudelka's 2015 Dora Award-winning drama features five additional scenes and an expanded cast.

SOURCE: Toronto Star at 12:01am on March 15, 2017

Come From Away greeted with rave reviews in New York by Peter Edwards - Star Reporter

Feel-good musical about Newfoundland hospitality immediately after 9/11, made its Broadway debut Sunday night.

SOURCE: Toronto Star at 8:57am on March 13, 2017

Pinocchio a family-friendly theatrical extravaganza: review by Michael Crabb

Skylar Campbell gives heartbreakingly poignant portrayal of wooden wannabe boy from fairy tale.

SOURCE: Toronto Star at 1:46pm on March 12, 2017

Top Ticket March 12 to 18: dark drama, twice the improv, romance in dance by Carly Maga - Theatre Critic

Stratford's Macbeth at Cineplex, a double bill from Bad Dog Theatre, James Kudelka's extended Love, Sex & Brahms.

SOURCE: Toronto Star at 10:00am on March 12, 2017

Moments of honesty keep 'The Millennial Malcontent' grounded: review by Carly Maga - Special To The Star

A riff on "The Provoked Wife," "The Millennial Malcontent" hearkens back to a form of comedy that's far too broad for our modern, ironic tastes.

SOURCE: Toronto Star at 8:58am on March 10, 2017

Blood Weddings still compelling second time around: review by Karen Fricker - Theatre Critic

Strong overall acting, visionary direction and beautiful design combine in remount of 2015 co-production.

SOURCE: Toronto Star at 5:50pm on March 9, 2017

National Ballet's Pinocchio anything but wooden by Bruce Demara - Entertainment Reporter

British choreographer Will Tuckett promises a lively production of Pinocchio that will turn dancers into actors.

SOURCE: Toronto Star at 6:00am on March 9, 2017

How a 320-year-old play inspired a work about millennials: Wednesday Matinée by Karen Fricker - Theatre Critic

Playwright Erin Shields goes beyond the surface in The Millennial Malcontent, based on The Provoked Wife.

SOURCE: Toronto Star at 9:00am on March 8, 2017

Stupid F---ing Bird modernizes Anton Chekov's classic: Review by Carly Maga - Theatre Critic

The famous Russian master's The Seagull gets recontextualized for contemporary audiences in this Canadian premiere.

SOURCE: Toronto Star at 3:01pm on March 5, 2017

Top Ticket March 5 to 11: Ballet, puppetry and reflections on the mind by Carly Maga - Theatre Critic

Pinocchio at the National Ballet of Canada, Feathers of Fire: A Persian Epic and Cage at Soulpepper.

SOURCE: Toronto Star at 9:00am on March 5, 2017

Come From Away's hopeful message strikes a chord in New York by Murray Whyte - Visual Arts

The big-hearted and funny Canadian musical has taken on sudden resonance as it prepares for its Broadway opening next week.

SOURCE: Toronto Star at 8:00am on March 5, 2017

Cirkopolis mingles past and present, drudgery and beauty: review by Karen Fricker - Theatre Critic

Circus acts, enhanced by video projections, can be thrilling but cast sometimes seem emotionally disconnected.

SOURCE: Toronto Star at 1:09pm on March 3, 2017

Children's opera Brundibar brought joy to concentration camp prisoners by Trish Crawford

Survivor of Theresienstadt camp to watch as Brundibar is staged in Toronto by Canadian Children's Opera Company.

SOURCE: Toronto Star at 3:00pm on March 2, 2017

Book of Mormon is smart and naughty hilarity: review by Bruce Demara - Entertainment Reporter

The Book of Mormon returns to Toronto with an impeccably staged production and standout cast.

SOURCE: Toronto Star at 2:46pm on March 2, 2017

To she or not to she: Toronto stage productions reimagine Shakespeare by Karen Fricker - Theatre Critic

Why Not Theatre has Prince Hamlet with woman in title role and Canadian Stage has woman playing King Lear.

SOURCE: Toronto Star at 11:00am on March 1, 2017

Smyth/Williams actors say play grew from empathy for Russell Williams' victims by Carly Maga - Theatre Critic

One Little Goat Theatre under fire for creating work from transcript of police interview with killer Williams.

SOURCE: Toronto Star at 9:00am on March 1, 2017

Come From Away returning to Toronto for Mirvish next season by Tony Wong - Television

Mirvish Productions' 2017-18 season also includes stage versions of North by Northwest and Muriel's Wedding, musicals The King and I and An American in Paris.

SOURCE: Toronto Star at 6:00am on February 28, 2017

Soulpepper's Of Human Bondage is an exceedingly well-staged bodice-ripper by Karen Fricker - Theatre Critic

Vern Thiessen's adaptation and Albert Schultz's staging consistently forge a clear narrative path in this underappreciated coming-of-age classic.

SOURCE: Toronto Star at 4:29pm on February 25, 2017

'Breath in Between' tries to wake audience but only confuses: review by Karen Fricker - Theatre Critic

Playwright Anton Piatigorsky is attempting the tricky and perhaps admirable task of invoking extreme acts without enacting them.

SOURCE: Toronto Star at 1:22pm on February 24, 2017

Plenty of life " and emotional power " left in Peggy Baker's dance projects by Michael Crabb

The 64-year-old dancer and choreographer sets a sombre tone with her performance in the program at The Theatre Centre.

SOURCE: Toronto Star at 10:47am on February 23, 2017

Plays bridge solitudes of Toronto, Montreal theatre scenes by Karen Fricker - Theatre Critic

At Canadian Stage, Five Faces for Evelyn Frost will be performed in English translation, then in French, while in HROSES, both languages are used.

SOURCE: Toronto Star at 8:00am on February 22, 2017

Richard McMillan, Canadian theatre star, dead at 65 by Lauren La Rose - The Canadian Press

Richard McMillan, a fixture in Canadian theatre, died on Feb. 19 after a struggle with thyroid cancer.

SOURCE: Toronto Star at 3:40pm on February 21, 2017

John and Waleed demonstrates multiculturalism in action by Karen Fricker - Theatre Critic

Musicians John Millard and Waleed Abdulhamid perform original compositions in a conversation about culture in Canada.

SOURCE: Toronto Star at 4:30pm on February 20, 2017
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