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35,750 stories from The Guardian

'Man up, Hamlet, get thyself stuck in' " Shakespeare digested by John Crace and John Sutherland

How best to mark the 400th anniversary of the Bard's death? With parody, according to John Crace, who rewrites some famous scenes, and John Sutherland, who casts a critical eye over the foot…

SOURCE: The Guardian at 9:48am on October 5, 2016

The Boys in the Band review " Mark Gatiss and fine cast elevate dated gay drama by Lyn Gardner

Park, LondonRadical half a century ago, Mart Crowley's portrait of Manhattan's gay scene can seem hackneyed and bleak, but a strong ensemble make a reasonable case for itMart Crowley's 1968 …

SOURCE: The Guardian at 8:39am on October 5, 2016

Travesties review " Hollander makes mischief in Stoppard's serious comedy by Michael Billington

Menier Chocolate Factory, London Political and artistic revolutions collide in a sprightly revival, directed by Patrick Marber, highlighting the emotion as well as the erudition of this bril…

SOURCE: The Guardian at 7:34am on October 5, 2016

My pubic portrait: the day I posed for a very personal work of art by Stuart Jeffries

In Pube, Eugénie Pastor gives her audience scissors and asks them to donate some pubic hair. Stuart Jeffries gets snippingI part the curtains and enter a tiny room. It's an intimate, low-li…

SOURCE: The Guardian at 3:21am on October 5, 2016

Girls encouraged to drop Kim Kardashian for Shakespeare's Cleopatra by Richard Adams Education Editor

A London school programme will persuade pupils to adopt Rosalind and Viola as role models instead of social media starsGirls are to be taught to see Shakespearean heroines such as Cleopatra …

SOURCE: The Guardian at 7:50pm on October 4, 2016

From sci-fi Brontë to Hamlet on the savanna: when classics are relocated by Lyn Gardner

As West Yorkshire Playhouse presents a futuristic take on the 19th-century Villette, here are five shows that reimagine a story in a surprising new settingI'd be surprised if there's a more …

SOURCE: The Guardian at 3:39pm on October 4, 2016

Kathleen Turner: 'Americans really don't want to deal with death' by David Smith In Washington

She's worked on stage with Edward Albee, befriended Maggie Smith and, in Body Heat, played one of the definitive screen femme fatales. Now Kathleen Turner is turning her thoughts to bereavem…

SOURCE: The Guardian at 1:30pm on October 4, 2016

No's Knife review " Lisa Dwan excels in Beckett's strange no man's land by Michael Billington

Old Vic, LondonDwan's vocal range is astonishing in her adaptation of Beckett's Texts for Nothing, but the ingenious staging still struggles to give physical life to mysterious proseLisa Dwa…

SOURCE: The Guardian at 7:16am on October 4, 2016

The Owl Who Was Afraid of the Dark review " a chirpy tale, beautifully told by Lydia Davies

Unicorn theatre, LondonParts of the narration may fly over the heads of its youngest watchers, but this show about a bird branching out into the world is vivid, sweet and gently thrillingSho…

SOURCE: The Guardian at 2:49am on October 4, 2016

W Kamau Bell: 'If you don't like me that's fine " just let me do my thing' by Melissa Locker

The comic talks about why he identifies as a socio-political comedian and the difficulty of knowing when to tell jokes about raceW Kamau Bell would like you to know that he is a socio-politi…

SOURCE: The Guardian at 1:00pm on October 3, 2016

Willkommen, bienvenue: Jean-Paul Gaultier's Berlin cabaret show " in pictures by Guardian Staff

Jean-Paul Gaultier has dreamed of staging a revue ever since he saw footage of the Folies Bergère on his grandmother's TV. 'I got in trouble at school the next day because I was sketching t…

SOURCE: The Guardian at 11:55am on October 3, 2016

Unknown pleasures: do we enjoy art more if it's anonymous? by Lyndsey Winship

The Royal Court has staged work by top-secret playwrights and Dance Umbrella is presenting new commissions by unnamed choreographers. Mystery performances can be liberating for artists as we…

SOURCE: The Guardian at 6:26am on October 3, 2016

Fagin's Twist review " hip-hop Dickens show is full of artful dodging by Sanjoy Roy

The Place, LondonStreet dance meets Victorian workhouse as choreographer Tony Adigun imagines the childhoods of Oliver Twist's villainsStreet dance might seem an odd style for a Dickensian t…

SOURCE: The Guardian at 6:26am on October 3, 2016

Plan your week's theatre: top tickets by Lyn Gardner

A family is Torn at the Royal Court, Manchester's Home launches its Orbit festival and you can spend One Night in Miami with Cassius Clay at the DonmarJamie Wood's utterly delightful O No! b…

SOURCE: The Guardian at 2:20am on October 3, 2016

Jerry Sadowitz: my fight for my friend by Brian Logan

Comic Jerry Sadowitz denounced Jimmy Savile years before he was exposed. Now, writes Brian Logan, he's asking why the death of his friend Mark Blanco has never been properly investigatedThe …

SOURCE: The Guardian at 6:55pm on October 2, 2016

Step-by-step guide to dance: Richard Alston by Sanjoy Roy

British choreographer Richard Alston has leapt from hippy rebel to member of the modern dance establishment with impressive ease, writes Sanjoy Roy Continue reading...

SOURCE: The Guardian at 4:43pm on October 2, 2016

Sleuth review " few thrills to be had in Shaffer's outdated mystery by Alfred Hickling

West Yorkshire Playhouse, LeedsAnthony Shaffer's meta-thriller is not so much an "ultimate game of cat-and-mouse" as an old mog prodding at its toy before settling down for a snoozeAnthony S…

SOURCE: The Guardian at 3:46pm on October 2, 2016

Adding Machine: A Musical review " revenge, redemption and the afterlife by Michael Billington

Finborough, LondonElmer Rice's 1923 satire about a browbeaten wage slave gets added musical spice in this savagely comic adaptationEuropean expressionism had a big impact on American theatre…

SOURCE: The Guardian at 11:31am on October 2, 2016

Joan Collins Unscripted review " rambling chat and fleeting jokes by Mark Lawson

London Palladium The Dynasty star treads a line between spontaneity and laziness in the company of her fifth husband and an adoring audienceAlthough the London Palladium is famous for hostin…

SOURCE: The Guardian at 10:25am on October 2, 2016

Michael Clark: 'I still make the dance work on my own body first' by Sean O'Hagan

From his 80s ballet-punk aesthetic to the heroin and despair of the 90s, Michael Clark always danced to his own tune. Now 54, here he talks about the effects of ageing, his mum and the inspi…

SOURCE: The Guardian at 5:58am on October 2, 2016

David Bintley: 'The Tempest is about a man who's lived off the idea of revenge' by Interview By Luke Jennings

The Birmingham Royal Ballet choreographer on adapting Shakespeare, the challenge of forgiveness and the importance of stories in danceDavid Bintley is a choreographer, and since 1995 has bee…

SOURCE: The Guardian at 3:51am on October 2, 2016

Wish List review " heartfelt performances weighed down by Clare Brennan

Royal Exchange, ManchesterHeavy-handed direction mars this prize-winning play about the challenges faced by young people at the bottom of the heapKatherine Soper's Bruntwood prize-winning te…

SOURCE: The Guardian at 3:51am on October 2, 2016

Father Comes Home from the Wars review " epic tales of slavery by Susannah Clapp

Royal Court, LondonSuzan Lori-Parks's ambitious trilogy marries black history to a classical structure but suffers from static stagingThe London stage has always been a very white place. The…

SOURCE: The Guardian at 3:51am on October 2, 2016

Akram Khan's Giselle review " a modern classic in the making by Luke Jennings

Palace theatre, ManchesterEnglish National Ballet's dancers delight in Khan's 21st-century Giselle. All it needs now is a plot…Akram Khan's new production of Giselle for English National B…

SOURCE: The Guardian at 3:51am on October 2, 2016

The Libertine review " Dominic Cooper's rake is charmless to a fault by Susannah Clapp

Theatre Royal Haymarket, LondonTerry Johnson gives Stephen Jeffreys's 1994 tale of Restoration depravity the full rumpy-pumpy, but Cooper's Rochester is stuck in surly modeOn stage, everythi…

SOURCE: The Guardian at 3:51am on October 2, 2016
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