Royal Court, LondonSuzan Lori-Parks's ambitious trilogy marries black history to a classical structure but suffers from static stagingThe London stage has always been a very white place. The Royal Court is helping to change that. Upstairs, Nathaniel Martello-White's Torn shows a ripped-to-pieces family in which a mother acknowledges her white but not her black children. Downstairs, Suzan-Lori Parks's Father Comes Hom…
SOURCE: The Guardian at 03:51AM on October 2, 2016