4,600 stories from Toronto Star
Streetcar Crowsnest's latest piece Illusions uses humour to leaven a dark, cynical story that will leave the audience with lots to think about.
The highly watchable show is well-cast and underlines the chemistry so vital to the mythology.
Strictly Ballroom, Too Loud and Solitude and the Endings bill all keep this week's recommendations light on their feet.
At times effective, disturbing, and enlightening, Donna-Michelle St. Bernard's latest theatre piece is an evening of performance poems, raps and mini-lectures.
A limited number of tickets will be available April 25 at 11 a.m. at Canadian Opera Company box office.
Production at Streetcar Crowsnest uses song, dance and projections to channel 100 years of black female experience.
Canadian Opera Company production injects indigenous presence but can't quite undo 1967 perspective.New Canadian Opera Company production injects an indigenous presence but can't quite undo …
Scorned sorceress destroys all with her vengeance in Marc-Antoine Charpentier opera, opening April 22 at Elgin Theatre.
Choreographer finds inspiration in famous painting for her own creation at Bluma Appel Theatre, evoking innocence and joy.
Why Not Theatre has scrambled and reimagined Hamlet and the result challenges the audience's expectations and breathes fresh life into the characters.
In 10th anniversary staging of Prince Hamlet deaf actress Dawn Jani Birley narrates in ASL, with no interpretation.
Canadian 9/11 musical opened on Broadway in March. Another Canadian creation, Ride the Cyclone, also receives a nomination.
Sipping from cans of Red Bull, he delivered a seemingly stream-of-consciousness show that the crowd lapped up at The Vic in Chicago.
Marie Chouinard takes on a Bosch painting, Illusions looks at life and love, and RISER Project presents future hits.
Celebrated Canadian choreographer Marie Chouinard has turned Hieronymous Bosch's work into dance.
Born out of headlines about racially motivated violence in London in 2009, Dennis Kelly's play still has relevance.
Little Pretty and the Exceptional has schizophrenic character; Banana Boys portrays addiction at Factory Theatre.
Rachel John, who plays Nicki in Toronto version of The Bodyguard, to appear as Alexander Hamilton's sister-in-law.
Also on the Top Ticket, Donna-Michelle St. Bernard in Sound of the Beast and Canadian Improv Games at 40.
Robert Lepage's 887 represents the permeable barrier that we all hold with our inner children.
Torquil Campbell's "True Crime," an intense and artful one-man show, is playing at Streetcar Crowsnest until April 15.
There are two competing threads in Anusree Roy's play, one a family comedy, one about mental illness.
Kitt Johnson's Rankefod, which she first performed in Toronto nine years ago, is enigmatic " more easily felt than explained.
Being open to feedback and change is part of the theatremaker's signature style.
Celebrated Quebec auteur will stage Shakespeare's Coriolanus in 2018.
