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3,495 stories from The Arts Desk

The Town Hall Affair, The Wooster Group, Barbican review - electric anarchy by Rachel Halliburton

Invigorating theatre: the 1971 Manhattan feminism vs Norman Mailer debate recreatedIconoclasm, orgasms, and rampant rhetoric are all on irrepressible display in The Wooster Group's recreatio…

SOURCE: The Arts Desk at 7:36am on June 22, 2018

Finishing the Picture, Finborough Theatre review - projections in a realm of mirrors by Katherine Waters

Depressed self-sabotaging movie star failed by all around herIn the early twentieth century, Soviet filmmaker Lev Kuleshov spliced together images of people looking at things with a bowl of …

SOURCE: The Arts Desk at 2:36am on June 22, 2018

Kiss Me, Kate, Opera North, London Coliseum review - Cole Porter delivered in true company style by David Nice

Just a tad short on Broadway charisma, but this sophisticated production glides alongFirst palpable hit of the evening: a full orchestra in the pit under hyper-alert Opera North stalwart Jam…

SOURCE: The Arts Desk at 6:18am on June 21, 2018

Enter theartsdesk / h Club Young Influencer of the Year award by The Arts Desk

In association with The Hospital Club's h.Club 100 Awards, we're looking for the best cultural writers, bloggers and vloggersAre you a young blogger, vlogger or writer in the field…

SOURCE: The Arts Desk at 4:06am on June 19, 2018

English, Festival of Voice, Wales Millennium Centre review " lost in language by Owen Richards

Unique interactive performance explores the privilege of mother tongueDespite the Welsh repute for singing, the Festival of Voice in Cardiff has always been more than just music.

SOURCE: The Arts Desk at 8:18am on June 18, 2018

Julius Caesar, BBC Four review - electrifying TV launch of all-women Shakespeare trilogy by David Nice

Harriet Walter and Jade Anouka are the superlative opposite poles in a perfect ensembleWho would have thought, when Phyllida Lloyd's Donmar Julius Caesar opened to justified fanfare, that tw…

SOURCE: The Arts Desk at 6:12am on June 18, 2018

Notes From the Field, Royal Court review - sobering report from the frontline of race by Rachel Halliburton

Anna Deavere Smith shines her singular light on American inequality and systemic injusticeAnna Deavere Smith contains multitudes. As the solo performance artist recounts the testimonies she …

SOURCE: The Arts Desk at 8:18am on June 16, 2018

The Prime of Miss Jean Brodie, Donmar Warehouse review - Lia Williams makes an iconic role her own by Matt Wolf

Familiar title is reinvigorated afresh in a startling revival Lia Williams can be said to have been in her prime ever since the double-whammy several decades ago when she appeared onstage in…

SOURCE: The Arts Desk at 5:48am on June 14, 2018

Machinal, Almeida Theatre review - descending into darkness by Matt Wolf

Lesser-known American classic exerts a clinical fascination The American playwright /journalist Sophie Treadwell's 1928 expressionist drama crops up every so often in order to allow a direct…

SOURCE: The Arts Desk at 7:32pm on June 11, 2018

Monogamy, Park Theatre review - Janie Dee in dark family drama by Aleks.sierz

New comedy about a celebrity chef sometimes sizzles, but leaves a bad taste Forget about dark alleys, deserted parks and slippery slopes: the most dangerous place in the world is likely to b…

SOURCE: The Arts Desk at 7:32pm on June 11, 2018

Isabelle Huppert reads Marquis de Sade, Queen Elizabeth Hall review - virtue twinned with vice by Rachel Halliburton

Isabelle Huppert brings her customary rigour to some notorious writingsIn an era marked by virtue-signalling, it's perhaps no surprise that Isabelle Huppert " a woman who has always gone …

SOURCE: The Arts Desk at 4:18am on June 11, 2018

Julie, National Theatre review - vacuous and unilluminating by Matt Wolf

Vanessa Kirby leads superfluous update that is a lot more Stenham than Strindberg It seems appropriate that an onstage blender features amidst Tom Scutt's sleak, streamlined set for Julie gi…

SOURCE: The Arts Desk at 7:32am on June 9, 2018

Sancho: An Act of Remembrance, Wilton's Music Hall review - pure entertainment by Katherine Waters

Larger-than-life history of Charles Ignatius Sancho distilled into virtuoso one-man showOne space, one person, one story, one voice " the monologue is theatre distilled, the purest form o…

SOURCE: The Arts Desk at 10:32pm on June 7, 2018

My Name is Lucy Barton, Bridge Theatre, review - Laura Linney is luminous in a flawless production by David Benedict

Stage adaptation of Elizabeth Strout's novel is a one-woman tour de forceIn Harold Pinter's memory play Old Times, one of the women declares, "There are some things one remembers even t…

SOURCE: The Arts Desk at 2:54am on June 7, 2018

The Rink, Southwark Playhouse - lesser-known musical lands afresh by Matt Wolf

1980s Broadway flop proves an Off West End knockout Two dynamite lead performances and the chance to savour an underappreciated score give genuine charge to The Rink, a decades-old Bro…

SOURCE: The Arts Desk at 9:12am on June 6, 2018

The Strange Death of John Doe, Hampstead Theatre review - ambitious but not entirely successful by Aleks.sierz

Sympathetic new play about a migrant's death is well staged, but imperfectly writtenRegular air travel is a hassle. All that queuing, all that security, all those hot halls, and then th…

SOURCE: The Arts Desk at 8:04pm on June 5, 2018

Killer Joe, Trafalgar Studios review - family drama, creepy and cruel by Tom Birchenough

Orlando Bloom compels as the hitman-cop ruling Tracy Letts's dark, gothic worldRight from the beginning of this production of Tracy Letts's very first play, it's clear we're in for a bi…

SOURCE: The Arts Desk at 6:48am on June 5, 2018

The Two Noble Kinsmen, Shakespeare's Globe - a breezy bromance served up slight by Matt Wolf

Late Shakespeare collaboration is by turns engaging and daftThose who find the Bard tough going " wasn't that one of Emma Rice's admissions back in the day? " should beat a path to The Two N…

SOURCE: The Arts Desk at 6:36am on June 4, 2018

Fatherland, Lyric Hammersmith review - loud and proud, shame about the content by Aleks.sierz

Frantic Assembly's take on the crisis of masculinity is theatrically exciting but banalMasculinity, whether toxic or in crisis (but never ever problem-free), is a hardy perennial subject for…

SOURCE: The Arts Desk at 7:42pm on June 1, 2018

Translations, National Theatre review - an Irish classic returns with cascading force by Matt Wolf

Brian Friel's luminous play fully lands in the National's largest space What sort of physical upgrade can a play withstand? That question will have occurred to devotees of Brian Fr…

SOURCE: The Arts Desk at 6:36am on May 31, 2018

Tartuffe, Theatre Royal Haymarket review - dual-language production loses its way by Jenny Gilbert

Parlez-vous Moliere? His greatest comedy falls flat in a bilingual versionThe idea of producing a classic play in a mix of two languages is pretty odd. What kind of audience is a bilingual v…

SOURCE: The Arts Desk at 4:18am on May 31, 2018

The String Quartet's Guide to Sex and Anxiety, Brighton Festival review - molto nervoso by Tom Birchenough

Calixto Bieito's melange of text and music delivers a mesmerising agony of desolationCalixto Bieito has a reputation as a radical theatre-maker, and by any traditional standards The Str…

SOURCE: The Arts Desk at 6:24pm on May 30, 2018

Consent, Harold Pinter Theatre review - exhilarating by David Benedict

The stakes are high in the West End transfer of Nina Raine's play about marriage, rape and the law Question: is Consent, transferred from the National to the West End, a sharp-tongued c…

SOURCE: The Arts Desk at 4:12am on May 30, 2018

Break of Noon, Finborough Theatre review - irredeemable? by Katherine Waters

Prolix play woodenly acted; its own satire?I've forgotten my wallet.

SOURCE: The Arts Desk at 4:12am on May 29, 2018

Peter Pan, Regent's Park Open Air Theatre review - ensemble playing at its best by Heather Neill

The boy who never grows up flies into the First World War This exuberant production both clarifies and further complicates the conundrum of Peter Pan. In any production true to Barrie there …

SOURCE: The Arts Desk at 10:32pm on May 25, 2018
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