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35,748 stories from The Guardian

Plan your week's theatre: top tickets by Lyn Gardner

Sandi Toksvig debuts a new comedy, Crew for Calais take over the Vault festival for a good cause and Bristol's Tobacco Factory hosts a double bill from Manipulate about a doomed romance and …

SOURCE: The Guardian at 2:36am on January 30, 2017

Vanessa Redgrave at 80: a career on stage " in pictures by Guardian Staff

Vanessa Redgrave has captivated theatre audiences since her early days at the RSC. She has starred alongside her father, siblings and children, enthralled Broadway and is still commanding th…

SOURCE: The Guardian at 1:36am on January 30, 2017

When the Ballet Boyz became Dadz by Judith Mackrell

Lippy, brash and unshaven, the Ballet Boyz were a dance phenomenon. Now, as they enter their 40s, they're launching their boldest venture yetMichael Nunn has just made an unsettling discover…

SOURCE: The Guardian at 11:32pm on January 29, 2017

Emmanuelle Riva obituary by Ronald Bergan

Actor celebrated for her intellectual performances who achieved early success in Hiroshima Mon AmourFor her brave, unsentimental performance as an elderly woman agonisingly declining physica…

SOURCE: The Guardian at 12:06pm on January 29, 2017

A cut above: Artem's special effects studio " in pictures by Guardian Staff

Artem has been producing special effects for film, theatre and TV for nearly 30 years, teaming designers from a range of disciplines as diverse as architecture, interior design, sculpture, g…

SOURCE: The Guardian at 11:03am on January 29, 2017

Les Enfants Terribles review " Javier De Frutos teases out sex-games siblings' inner damage by Judith Mackrell

Barbican theatre, LondonWith eight Royal Ballet dancers enacting the claustrophobic world of an incestuous couple, De Frutos weaves intricate physical poetry around Jean Cocteau's text and P…

SOURCE: The Guardian at 8:24am on January 29, 2017

Dancing Bear, Dancing Bear review " gyration of the gender roles by Lyn Gardner

Camden People's Theatre, LondonStarting naked, and narrated by a female voice, two men physically dominate and surrender to each other " raising questions of coercion between the sexesThe tw…

SOURCE: The Guardian at 8:24am on January 29, 2017

John Hurt: an absolute master at portraying misfits by Michael Billington by Michael Billington

Hurt, who has died aged 77, was a superb, if too infrequent, stage actor. In plays by Beckett, Pinter and Stoppard, he had an intuitive understanding of outsidersI last saw John Hurt six mon…

SOURCE: The Guardian at 7:18am on January 29, 2017

In the Depths of Dead Love review " pale and uninteresting by Susannah Clapp

Print Room at the Coronet, LondonOnly the row over an all-white cast, in a tale set in ancient China, quickens the pulse of this arduous playThe Print Room has been in the middle of a "yello…

SOURCE: The Guardian at 4:04am on January 29, 2017

Us/Them review " an evocative retelling of the Beslan school siege by Susannah Clapp

Dorfman, LondonCarly Wijs's 2016 Edinburgh fringe hit tells the story of the 2004 Russian school siege with clear-eyed audacityUs/Them: hostages and captors; Russians and Chechens; children …

SOURCE: The Guardian at 4:03am on January 29, 2017

Made in India review " an emotionally charged mix of politics and parenthood by Clare Brennan

Belgrade theatre, CoventryThe ethical dilemmas of international surrogacy are examined in an impressive production that refuses to offer easy answersAbove the stage, on three different level…

SOURCE: The Guardian at 4:03am on January 29, 2017

Marzo review " whimsy levels are set high by Luke Jennings

The Pit, Barbican, LondonDewey Dell's weird, manga comics-inspired show is an intriguing curio that overstays its welcomeDewey Dell are an Italian experimental performance group that, since …

SOURCE: The Guardian at 4:03am on January 29, 2017

The Convert review " full-blooded, with a dash of melodrama by Susannah Clapp

Gate, LondonA young woman's conversion to Catholicism in 19th-century Rhodesia speaks volumes in Danai Gurira's bold tale of oppression and identityThe Convert is enough to give historical d…

SOURCE: The Guardian at 4:03am on January 29, 2017

Richard II: a play for today by Michael Dobson

For decades, Shakespeare's Richard II was regarded as a piece of conservative camp. But on the eve of a major new production, its tale of heads of state falling from power seems startlingly …

SOURCE: The Guardian at 1:42am on January 29, 2017

A Streetcar Named Desire review " Gillian Anderson haunts in vital staging by Alexis Soloski

St Ann's Warehouse, BrooklynBenedict Andrews' poignant new staging of Tennessee Williams's play, imported from London, feels utterly contemporaryTennessee Williams' play has travelled a rath…

SOURCE: The Guardian at 9:18pm on January 28, 2017

David Hare: classic British drama is 'being infected' by radical European staging by Dalya Alberge

Playwright speaks out in new book against 'distortion' of plays and move away from traditionOne of Britain's foremost playwrights has launched a forthright attack on European concept directo…

SOURCE: The Guardian at 8:12pm on January 28, 2017

Miriam Margolyes: 'No one tells you what old age is like. I don't care about raising hell' by Donna Ferguson

The outspoken actress wants to break open a conspiracy of silence about ageingMiriam Margolyes often thinks about how she is going to die. "I know that at 75, death can't be far away. I thin…

SOURCE: The Guardian at 8:12pm on January 28, 2017

Christopher Bland, tough and admired former chair of the BBC, dies at 78 by Jamie Doward

A prominent figure in business, arts and media for decades, he was also chairman of London Weekend Television, BT and the Royal Shakespeare CompanySir Christopher Bland, the former chair of …

SOURCE: The Guardian at 1:32pm on January 28, 2017

Stephen Poliakoff: 'I write about the past. It's not a nice place' by Emma Cook

The playwright, 64, on guilty memories, cheating at maths and what he chose to ask Tony BlairBoarding school left me with a profound distrust of rules and authority. I remember the headmaste…

SOURCE: The Guardian at 9:42am on January 28, 2017

'Powerful, giving, effortlessly real' " John Hurt remembered by Bonnie Malkin

Richard E Grant says British actor, who appeared in the Harry Potter films, Alien and Doctor Who, was an 'extraordinary talent' Friends, colleagues and fans of actor John Hurt have paid trib…

SOURCE: The Guardian at 4:18am on January 28, 2017

Krapp's Last Tape: six performances from Pinter to Hurt " in pictures by Matt Fidler

Richard Wilson is the latest star of Samuel Beckett's one-man, one-act tragicomedy at the Crucible theatre. From Harold Pinter to John Hurt, we take a look at five other notable KrappsKrapp…

SOURCE: The Guardian at 2:06am on January 28, 2017

Bradley Cooper in The Elephant Man " what the critics said by Guardian Staff

The American Sniper star rules the reviews with his West End theatre debut in the role of Joseph MerrickBradley Cooper has followed in the footsteps of John Hurt, David Bowie and Mark Hamill…

SOURCE: The Guardian at 12:06am on January 28, 2017

John Hurt on acting truthfully by John Hurt

For John Hurt, acting is not about deception. It's about conveying something gobsmackingly truthfulI don't have little rituals that I have to carry out every time I start a new part. Acting,…

SOURCE: The Guardian at 10:54pm on January 27, 2017

Oh, Krapp … John Hurt on Samuel Beckett's loner hero by John Hurt

Krapp's Last Tape is a kind of essay in aloneness so playing it 10 times a week was an intense experienceYears before I did Krapp's Last Tape I'd seen Patrick Magee and Jack MacGowran do it …

SOURCE: The Guardian at 10:54pm on January 27, 2017

Cocteau sins: Les Enfants Terribles by the Royal Ballet " in pictures by Guardian Staff

The Barbican in London is staging a new production of Philip Glass's dance-opera, based on Jean Cocteau's sensational novel Les Enfants Terribles. Step inside the surreal world of two siblin…

SOURCE: The Guardian at 5:24pm on January 27, 2017
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