Gate, LondonA young woman's conversion to Catholicism in 19th-century Rhodesia speaks volumes in Danai Gurira's bold tale of oppression and identityThe Convert is enough to give historical drama a good name. With more bare breasts than bonnets, and a complicated intertwining of hope and betrayal, Danai Gurira's play wallops down with force. This is Christopher Haydon's last production as artistic director of the Gate…
SOURCE: The Guardian at 04:03AM on January 29, 2017