The Arts on the Stamps of the World " April 22
Revisiting a former Arts Fuse regular feature: the arts on stamps of the world.
Revisiting a former Arts Fuse regular feature: the arts on stamps of the world.
Arts Fuse critics select the best in film, dance, visual arts, theater, music, and author events for the coming weeks.
"The Invisible Enemy Should Not Exist" is a rare transformative piece of public art.
Local music venues -- especially those with "off" music like jazz -- are caught in a vice, with real estate escalation on one side and corporate-dominated digital technology on the other.
WGBH's Eric Jackson has truly been the voice of jazz in Boston for more than forty years. This year, Boston Jazz Week centers around a celebration of Eric's four decades at the heart of the…
Gibney's volume offers a wide range of readers with an introduction to the complexities of Irish history, including questions of what exactly constitutes the national history itself.
The delightful Wadsworth installation is a fitting setting for the beloved artist and illustrator and the work he himself loved.
Hub Theatre Company’s True West is a joy to watch. True West by Sam Shepard. Directed by Daniel Bourque. Staged by the Hub Theatre Company of Boston at First Church Boston, 66 Marlboro…
It's not a bad time to be performing back-to-the-boogie heavy metal music anywhere in the world.
The Lyric Stage production of Anna Christie does right by Eugene O'Neill's brilliance.
In You Were Never Really Here, Lynne Ramsay's themes of alienation, violence, guilt and redemption are once again present, albeit in a more frenetic form than before.
Iranian director Abbas Kiarostami's last film is made up of a series of sometimes resplendent, sometimes disappointing, images.
This is a sound I've never heard before at a chamber concert: over twenty musicians breathing in unison.
There were the inevitable crowd-pleasers on which Audra McDonald puts her impassioned stamp.
The Rosenbergs is small in scope but large in ambition; it is an accomplished and moving opera that demands attention.
Thomas Doherty's fragmented, stop-and-start-again style dilutes narrative authority and further complicates an already very complicated story.
Singer Fred Farell brings an introspective sensibility to this album and has gathered a group of songs that are appropriate for his introverted and quietly aspirational lyrics.
Where will you find the best in new documentaries? In the brave new world of digital streaming.
Steven Pinker's book is a welcome antidote to the Trump era, when we are inundated, daily, with an avalanche of negative and disturbing stories.
Claire's Camera is enjoyable and charming, but it's definitely minor Hong, made on a lark at Cannes.
What we want is for Al Pacino to convey something deeper, something illuminating about the fall of the hero from the highest reaches of the gods.
Celia Paul's paintings are calm, reflective, and inviting.
The strategic silences in the Boston Globe's piece on the legacy of Israel Horovitz are disturbing.
No Way Home is a model for how to tell a weird, complicated story in a way that will make the reader hang on tight for the whole ride.
A thoroughly charismatic Fairy Queen from start to finish, well-prepared, fulgently delivered, and received by a packed house with well-earned warmth.