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35,741 stories from The Guardian

Junkyard review " young stars shine in Jack Thorne's playground musical by Clare Brennan

Bristol Old VicThe story of an idealistic adult winning over a bunch of disaffected kids is a familiar one, but lifted by its sizzling castJunkyard is a new musical inspired by writer Jack T…

SOURCE: The Guardian at 4:42am on March 12, 2017

Limehouse review " the gang of four revisited by Susannah Clapp

Donmar Warehouse, LondonOutstanding performances, including Roger Allam as Roy Jenkins, enliven a timely drama about the birth of the SDPIt was an Alice Through the Looking Glass press night…

SOURCE: The Guardian at 4:42am on March 12, 2017

Romeo & Juliet review " Rachel O'Riordan's star cross'd soap opera by Clare Brennan

Sherman Cymru, CardiffDespite fresh and lively performances, period language and modern behaviour clash to mixed effect"Fair Verona", Shakespeare's setting for the play is, in Kenny Miller's…

SOURCE: The Guardian at 12:06pm on March 11, 2017

Broadway theater-goer jumps on stage to charge phone " in fake outlet by Mahita Gajanan In New York

Audience member recounts how man jumped on stage before performance of Hand to God in New York hoping to charge his phoneTheater etiquette rules are fairly straightforward: don't be late, ke…

SOURCE: The Guardian at 11:03am on March 11, 2017

From Brecht to Lorca, the playwrights who became theatre's freedom fighters by Michael Billington

It's wrong to characterise 1930s theatre as escapist or frivolous. In Europe and America, many plays were alerting audiences to the dangers of fascism " led by the German fugitive Bertolt Br…

SOURCE: The Guardian at 9:54am on March 11, 2017

Nathan Lane: 'I have played a lot of morally questionable people by Ursula Kenny

The actor, 61, on standing up to Trump, losing friends to Aids and falling apart at his weddingAngels in America is a timely play to be putting on. My character Roy Cohn was a lawyer and men…

SOURCE: The Guardian at 9:54am on March 11, 2017

Sir Tim Rice: 'What would I change? The way one or two relationships ended' by Rosanna Greenstreet

The lyricist on his worst job, relationship regrets and the wise words his father said to himBorn in Buckinghamshire, Tim Rice, 72, is a lyricist. In the 60s, he teamed up with Andrew Lloyd …

SOURCE: The Guardian at 5:32am on March 11, 2017

Romeo and Juliet review " hot, hormonal inner-city tragedy by Alfred Hickling

West Yorkshire Playhouse, LeedsKids film brawls on their mobile phones and flower memorials litter the set in an astonishing production that captures the play's sense of futilityWest Yorkshi…

SOURCE: The Guardian at 5:32am on March 11, 2017

Letter: Alec McCowen obituary by Terry Philpot

In the late 1970s Alec McCowen gave his solo rendition of St Mark's Gospel at the Royal Festival Hall, London. He came on to a stage bare but for a table and chair, and said to the audience:…

SOURCE: The Guardian at 1:06pm on March 10, 2017

Julie Cunningham review " poetic dances to Kate Tempest and Anohni by Judith Mackrell

The Pit, Barbican, LondonThe dancer turned choreographer presents two pieces themed around identity and sexual fluidity, featuring some gorgeously sophisticated sequencesJulie Cunningham has…

SOURCE: The Guardian at 10:54am on March 10, 2017

It's boom time for older actors but how realistic are their roles? by Lyn Gardner

From Silver Lining to Roundelay, a handful of new shows focus on elderly people. Let's hope it leads to lasting change in the way they're represented on stageIn Sandi Toksvig's Silver Lining…

SOURCE: The Guardian at 9:48am on March 10, 2017

Emma Sidi: 'Burning Love is the funniest TV show I've ever seen' by Rachel Aroesti

The character comic and star of BBC3's Pls Like on what makes her laugh the mostTony Law is probably the one who makes me laugh the most without knowing quite how I got there, which is a big…

SOURCE: The Guardian at 8:42am on March 10, 2017

City of Glass review " Paul Auster's meta-mystery gets a stunning staging by Lyn Gardner

Home, ManchesterDuncan Macmillan's adaptation of Auster's story becomes a jaw-dropping spectacle, but the cunning visuals come at the expense of emotional engagementIn Paul Auster's 1985 nov…

SOURCE: The Guardian at 8:42am on March 10, 2017

Ian Kelly on Venice: 'Casanova's story takes you to the city's best views' by Ian Kelly

The Casanova biographer, whose work has inspired a new ballet, finds plenty of traces of the 18th-century lothario amid the city's canals, bars and alleywaysWriters from Casanova to Byron an…

SOURCE: The Guardian at 7:36am on March 10, 2017

The Roman Tragedies, Casanova: this week's best UK theatre and dance by Lyn Gardner & Judith Mackrell

Ivo van Hove's startling multimedia retelling of Shakespeare, and Kenneth Tindall's provocative ballet productionThe Roman Tragedies Continue reading...

SOURCE: The Guardian at 6:32am on March 10, 2017

Brexit stage left: how theatre became the best way to understand today's Britain | Martin Kettle by Martin Kettle

Our political class is still struggling to make sense of the EU referendum. But thankfully our playwrights are finding the wordsThe Brexit referendum asked voters to make a simple choic…

SOURCE: The Guardian at 2:06am on March 10, 2017

The Glass Menagerie review " Sally Field returns to Broadway in style by Alexis Soloski

Belasco Theatre, New YorkThe Oscar winner makes an indelible impression in an unusual and effective take on Tennessee Williams's American classicEntering the Belasco Theatre for the Broadway…

SOURCE: The Guardian at 10:48pm on March 9, 2017

Who's Afraid of Virginia Woolf? review " Staunton ignites Albee's marital battle by Michael Billington

Harold Pinter theatre, London Imelda Staunton and Conleth Hill are both superb as they trade insults and toy vindictively with their guests in a first-rate revival of an astonishing playThis…

SOURCE: The Guardian at 7:36pm on March 9, 2017

Dancer review " tiptoeing around ballet's bad boy by Peter Bradshaw

Dancer Sergei Polunin gets a respectful and useful documentary, but we need a deeper investigation into this amazing dancer, hamstrung by his own demonsThis is a sympathetic, serviceable but…

SOURCE: The Guardian at 5:24pm on March 9, 2017

Faust x2 review " Ian McDiarmid's Goethe drama is a devil of a time by Lyn Gardner

Watermill, BagnorAdapted by and starring McDiarmid, this account of the Faustian pact features a fine Mephisto but doesn't succeed in bringing the play into the 21st centuryRegrets? We all h…

SOURCE: The Guardian at 2:12pm on March 9, 2017

Murdoch, the Coughing Major and a Kids Company musical: theatre gets real by Mark Lawson

A rush of new plays offer fictionalised versions of Labour's 1981 split, the revamp of the Sun, a TV quizshow scandal and other real events. Playwrights James Graham and Steve Waters discuss…

SOURCE: The Guardian at 12:03pm on March 9, 2017

Limehouse review " timely account of Labour's 1981 split is beautifully acted by Michael Billington

Donmar Warehouse, LondonRoger Allam is astonishing as Roy Jenkins in this drama about how the 'gang of four' left Labour to form the SDPSteve Waters likes to peep behind closed doors. In Tem…

SOURCE: The Guardian at 9:48am on March 9, 2017

Opera for babies joins New Order at Manchester international festival by Helen Pidd North Of England Editor

Highlights to include series of intimate shows by pop band and pioneering piece of music theatreA musical about Lancashire's cotton industry, an opera for babies and New Order reworking thei…

SOURCE: The Guardian at 8:42am on March 9, 2017

Should today's Labour pick up where the SDP left off? This play makes you wonder | Polly Toynbee by Polly Toynbee

Limehouse's story of the party's 80s split mirrors this era so eerily that you could tell the audience was considering itThe time feels right. The then-and-now parallels are so painfully acu…

SOURCE: The Guardian at 7:36am on March 9, 2017

Adelaide Fringe: six talked-up shows you have to see by Max Opray and Steph Harmon

From Trainspotting to Isis to abortion, the festival is tackling big issues with a big heart " but there are moments of silliness and spectacle tooThe second-biggest fringe festival in the w…

SOURCE: The Guardian at 7:36pm on March 8, 2017
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