Home, ManchesterDuncan Macmillan's adaptation of Auster's story becomes a jaw-dropping spectacle, but the cunning visuals come at the expense of emotional engagementIn Paul Auster's 1985 novella, part of his New York Trilogy, a wrong telephone number sparks a descent into disintegrating identity and madness. So it is in this visually ravishing staging, adapted by Duncan Macmillan from both the original story and a la…
SOURCE: The Guardian at 08:42AM on March 10, 2017