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35,738 stories from The Guardian

Salomé review " heads will roll by Susannah Clapp

Olivier, National Theatre, LondonYaël Farber's turgid take on the biblical story leaves some fine actors stranded in the desert"It begins at the end." You might be warned from the start "…

SOURCE: The Guardian at 3:24am on May 14, 2017

Room review " a small wonder by Susannah Clapp

Theatre Royal, Stratford East, LondonEmma Donoghue's acclaimed novel makes the leap to the stage, with a little help from young Harrison WildingEmma Donoghue has written eloquently about how…

SOURCE: The Guardian at 3:24am on May 14, 2017

Plan B for Utopia review " a beguiling joy by Luke Jennings

Attenborough Centre, University of Sussex John Kendall and Solène Weinachter are chalk and cheese " and destined for each other " in Joan Clevillé's delightful duetHow can we make the worl…

SOURCE: The Guardian at 3:24am on May 14, 2017

Richard III review " a stark and powerful coup by Susannah Clapp

Hull Truck theatre, HullMat Fraser is genially terrifying as the dastardly king in Northern Broadsides' urgent 25th anniversary performanceMat Fraser, who hosted the 2012 Paralympics opening…

SOURCE: The Guardian at 3:24am on May 14, 2017

The Sum review " musical plea from the shop floor by Clare Brennan

Everyman, LiverpoolLizzie Nunnery's scathing social commentary with songs carries a powerful message despite some laboured dialoguePolitical shockwaves knock spending. A small business teete…

SOURCE: The Guardian at 2:18am on May 14, 2017

Clarke Peters: 'Many people aren't aware of Lena Horne's struggle' by Interview By Liz Hoggard

The star of The Wire and Treme on his new musical about the American singer, actor and activist " and his 'surf noir' project with Hugh LaurieClarke Peters, 65, is best known for playing det…

SOURCE: The Guardian at 2:18am on May 14, 2017

Irish playwright hits the mainstream with haunting drama and Dylan's songbook by Sarah Hughes

Conor McPherson on the TV series and stage show that will be must-sees this summerConor McPherson is celebrated as the king of the ghost story, thanks to spine-tingling and critically acclai…

SOURCE: The Guardian at 7:12pm on May 13, 2017

Just do it: the experience economy and how we turned our backs on 'stuff' by Simon Usborne

New figures show we are continuing to spend less money on buying things, and more on doing things " and telling the world about it online afterwards, of course. From theatres to pubs to shop…

SOURCE: The Guardian at 3:06am on May 13, 2017

The Guardian view on King Charles III: a foreboding play | Editorial by Editorial

The BBC2 broadcast of Mike Bartlett's play is a reminder that even for republicans, the Queen's death will loom largeKing Charles III, Mike Bartlett's play set in a future shortly after the …

SOURCE: The Guardian at 2:42pm on May 12, 2017

Caroline, Or Change review " Tony Kushner blasts 60s America wide open by Michael Billington

Minerva, ChichesterA Jewish boy and his family's black maid are at the heart of this witty, pulsing musical that takes in everything from klezmer to Tamla MotownSince this musical has book a…

SOURCE: The Guardian at 9:06am on May 12, 2017

Natasia Demetriou: 'Best In Show is the funniest film I've ever seen' by Rachel Aroesti

The People Time actor and character comic on the things that make her laugh the mostJohn Early. His body and brain were made for the world's entertainment and pleasure. Continue reading...

SOURCE: The Guardian at 9:06am on May 12, 2017

Medea review " all-female cast excel as Euripides meets modern-day Maddy by Lyn Gardner

Bristol Old VicWriter Chino Odimba and director George Mann meld ancient and new in an admirable production with first-rate performances The Medea we know so well is the Euripides version, b…

SOURCE: The Guardian at 7:54am on May 12, 2017

Knock2Bag: home to the weirdo comics you won't find on Live at the Apollo by Harriet Gibsone

The wild comedy night that hosts aggressive poetry, 'sexy American girl cousins' and unlimited oddballs is 10 years old " and as ramshackle as everSandwiched between a Tesco and a Wetherspoo…

SOURCE: The Guardian at 6:54am on May 12, 2017

Why are traditional plays struggling to attract crowds on Broadway? by Alexis Soloski

As musicals continue to break records, straight plays are struggling " with Sally Field-starring The Glass Menagerie the latest casualty of the seasonTom, the narrator of Tennessee Williams'…

SOURCE: The Guardian at 6:54am on May 12, 2017

While We're Here and Rambert: this week's best UK theatre and dance by Lyn Gardner and Judith Mackrell

Tessa Peake-Jones and Andrew French excel in a tragicomedy about lost love, while Sadler's Wells hosts a triple bill from the celebrated dance company1 While We're HereCarol and Eddie are fo…

SOURCE: The Guardian at 5:54am on May 12, 2017

The 10 best things to do this week: The Great Escape and The Addams Family by The Guide

Brighton's new-music festival returns for the 12th year, while Les Dennis and Samantha Janus star in a musical take on the oddball aristocratsThe Great EscapeA one-stop shop for bleeding-edg…

SOURCE: The Guardian at 4:42am on May 12, 2017

Wicked: the Musical, Apollo, London by Michael Billington

Apollo, LondonFriends of Dorothy may be diverted by this musical prequel to The Wizard of Oz. But, although it has been a hit in New York, it seems all too typical of the modern Broadway mus…

SOURCE: The Guardian at 3:33am on May 12, 2017

Emotional rescue: can art ever be cathartic for its creators? by Paula Cocozza

Jonathon Young's dance-theatre show Betroffenheit explores his grief after a family tragedy. The author Max Porter, comic Jayde Adams, performer Mojisola Adebayo and Young himself discuss th…

SOURCE: The Guardian at 3:33am on May 12, 2017

'Barbra's voice doesn't let up!': Amber Riley's essential songs from musicals by Interview By Lyndsey Winship

The Glee star, currently in Dreamgirls in the West End, on worshipping Streisand, singing at the Hollywood Bowl and African Americans' fight for a voice(Dreamgirls)Dreamgirls was my favourit…

SOURCE: The Guardian at 1:18am on May 12, 2017

Should we put up with disruptive behaviour at the theatre? by Lyn Gardner

Audiences are increasingly fed up about bad behaviour in the theatre " and they are taking the law into their own handsKevin Williamson's account of his vigilante action against a woman pers…

SOURCE: The Guardian at 11:54pm on May 11, 2017

Black Is the New White review " Nakkiah Lui brings politics to Christmas in hilarious family farce by Cassie Tongue

Wharf 1 Theatre, Sydney Theatre CompanyA refreshing take on sitcom tropes, this cinematic new play dishes out big social issues with a whole heap of goofballIt's Christmas in May at Sydney T…

SOURCE: The Guardian at 6:12pm on May 11, 2017

The 306: Day review " war drama sings praises of women written out of history by Mark Fisher

Station Hotel, PerthThe second part of Oliver Emanuel's first world war trilogy is a confrontational patchwork that shatters the myth of Britain's cheerful army of working womenOne day last …

SOURCE: The Guardian at 1:42pm on May 11, 2017

Spencer Jones review " clowning comic revels in goofy self-delight by Brian Logan

Soho theatre, London Ludicrous tights, crude puppetry and dialogues with a chattering toilet brush make Jones's alter ego The Herbert irresistibly daft We should probably forgive Spencer Jon…

SOURCE: The Guardian at 11:05am on May 11, 2017

Richard III review " Mat Fraser proves a brilliant villain for Northern Broadsides by Alfred Hickling

Hull Truck theatre Swerving between charm and disgust in a dark, disturbing production, Fraser creates a sense of a man bitterly aware that he will never fit inTwenty-five years ago, a stran…

SOURCE: The Guardian at 9:48am on May 11, 2017

Michael Wearing obituary by Anthony Hayward

Television producer whose work included landmark dramas such as Boys from the Blackstuff and Edge of DarknessMichael Wearing, who has died aged 78, was a television producer and executive be…

SOURCE: The Guardian at 8:36am on May 11, 2017
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