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8,108 stories from DC Theatre Scene

Review: An Unhealthily Man Lectures You on Medical Issues at Capital Fringe by Tim Treanor

The fine actor Vincent Clark, known mostly for his work at Washington Stage Guild, plays a sick man in this one-actor show. A very sick man. Imagine yourself at a holiday party with an elder…

SOURCE: DC Theatre Scene at 2:12pm on July 17, 2018

Review: metamorphose at Capital Fringe by Jill Kyle-keith

In these times of change, it’s comforting to be reminded that nothing ever stays the same. Almost exactly two thousand years ago, Publius Ovidius Naso, known to scholars as Ovid, wrote…

SOURCE: DC Theatre Scene at 2:12pm on July 17, 2018

Review: Synetic's Wonderful Wizard of Oz by Jeffrey Walker

Imaginative, kinetic, engaging, and bold – those are just a few words to describe The Wonderful Wizard of Oz by Synetic Theater. For the young and young at heart, this fanciful and …

SOURCE: DC Theatre Scene at 1:04pm on July 17, 2018

Review: Be a Good Little Widow by Debbie Minter Jackson

Don’t let the unsettling title scare you away. Yes, it’s direct and upfront but the characterizations build and the interactions usher us into precious reflections on life. On th…

SOURCE: DC Theatre Scene at 12:04pm on July 17, 2018

Review: The Hypocrites' hijinks with Gilbert & Sullivan's Pinafore. Bring the kids. by Alexander C. Kafka

I am generally not a forced gaiety and audience-participation kind of guy. And yet Saturday night, there I was some 20 minutes before show time for H.M.S. Pinafore, in Olney Theatre's Mulitz…

SOURCE: DC Theatre Scene at 12:04pm on July 17, 2018

Getting to Capital Fringe today while 41,000 fans head for the All-Star Game. by Lorraine Treanor

Heading for Capital Fringe today?  Taking Metro (Green Line) is your best choice to avoid road closures due to the All-Star Game at Nationals Park. Exit at Waterfront. Plan your Metro …

SOURCE: DC Theatre Scene at 10:54am on July 17, 2018

Review: Cold Rain at Capital Fringe by Alexandra Kelley

Cold Rain opens with a familiar scene: three women, joining hands as they light candles and recite a simple love spell. A Macbethean trope, this spell acts as the inciting incident catapulti…

SOURCE: DC Theatre Scene at 10:54am on July 17, 2018

REVIEW: Dragon Hunting Support Group at Capital Fringe by Michelle Rago

Quantifying the impact of suicide is a business of estimation. According to the Centers for Disease Control there were nearly 45,000 suicides in the U.S. in 2016. For each suicide there are …

SOURCE: DC Theatre Scene at 10:54am on July 17, 2018

Review: Gilded at Capital Fringe by Amy Couchoud

Fringe is usually filled with scrappy fledging companies of artists banding together in the hopes of making some theatre magic on zero budget, a wing and a prayer. But, every once in while t…

SOURCE: DC Theatre Scene at 8:42am on July 17, 2018

Review: This Historic Night at Capital Fringe by Guest Writer

On the simple and appropriately bleak set, Seed Productions presents its premiere of This Historic Night, five short plays wound into one terrific show, written by local DC playwright, Jack …

SOURCE: DC Theatre Scene at 5:18pm on July 16, 2018

Review: A Two Woman Hamlet at Capital Fringe by Kate Gorman

Who needs to see another rehash of the play about a moody prince from Denmark? You do. Get thee to A Two Woman Hamlet for this palpable hit. The titular women, Hannah Sweet and Nicola Collet…

SOURCE: DC Theatre Scene at 1:04pm on July 16, 2018

Review: Horse People at Capital Fringe by Amy Couchoud

Lindsey is in love with a rock. Yes, an actual rock. More specifically, a rock that's made up of many other rocks encased in concrete. Yes, actually in love. As she says herself while gently…

SOURCE: DC Theatre Scene at 11:48am on July 16, 2018

Review: Mesa, Arizona, or Something Like It at Capital Fringe by Gayle Young

Talented young playwright Raina Greifer sums up her own work Mesa, Arizona, or Something Like It. "It's messy and surreal and strange, but so is so much of growing up," she writes in her dir…

SOURCE: DC Theatre Scene at 11:48am on July 16, 2018

Review: Hold the Tomato at Capital Fringe by Michelle Rago

If you're too young or unfortunate enough never to have seen the Carol Burnett Show, my telling you that Hold the Tomato reminded me of it won't be very helpful. If you do know the TV var…

SOURCE: DC Theatre Scene at 10:42am on July 16, 2018

Review: God is Dead and April's Getting Married at Capital Fringe by Jon Boughtin

There are all sorts of weddings: Destination Weddings, backyard weddings, shotgun weddings, DIY weddings… the list goes on. They all, however, have a few things in common: At least one per…

SOURCE: DC Theatre Scene at 10:42am on July 16, 2018

Review: MasterMimes: The Show at Capital Fringe by Amy Couchoud

Prior to the start of MasterMimes: The Show, a man and a woman are sleeping on the floor. Every few minutes, an alarm clock goes off and the woman hits snooze with ever increasing annoyance.…

SOURCE: DC Theatre Scene at 8:32am on July 16, 2018

Review: Marx in Soho at Capital Fringe by Marshall Bradshaw

After nearly two centuries of begging, God allows Karl Marx a brief visit to Earth to clear his name. "I am NOT a Marxist!" he emphatically declares in historian Howard Zinn's play. Were he …

SOURCE: DC Theatre Scene at 7:18pm on July 15, 2018

Review: Vengeance in my Heart at Capital Fringe by Alan Katz

Titus Andronicus is well-known as several things: as Shakespeare's first true tragedy, as a foreshadow of the brutal Jacobean revenge dramas that would dominate the first quarter of the 17th…

SOURCE: DC Theatre Scene at 7:18pm on July 15, 2018

Review: The Unaccompanied Minor at Capital Fringe by Alison Daniels

Actor Elan Zafir only sees his son four times a year. You will never forget this fact after you see The Unaccompanied Minor. Each time he reminded me, I could see a little bit of the pain un…

SOURCE: DC Theatre Scene at 6:12pm on July 15, 2018

Review: The Lives Left Behind at Capital Fringe by Sarah Elizabeth Adler

“Opera," declares the 1948 book Nights at the Opera, "is like an oyster; it must be swallowed whole or not at all.” Seventy years later, this principle certainly applies to Capit…

SOURCE: DC Theatre Scene at 5:06pm on July 15, 2018

Review: Meet the Glory Wholes at Capital Fringe by Tim Treanor

Joey Maranto, a stand-up comedian, tells here the story of a failed stand-up comedian, failed improv performer, and failed children’s entertainer for a Christian television show (all t…

SOURCE: DC Theatre Scene at 4:04pm on July 15, 2018

Review: A Slow Bullet at Capital Fringe by Alexis Arnold

A Slow Bullet combines comedy with tragedy to explore the darkest parts of depression, some ways to cope with it, and begin moving on after losing someone to it. Slow Bullet begins with a…

SOURCE: DC Theatre Scene at 2:54pm on July 15, 2018

Review: Musical Therapy at Capital Fringe by Arielle Ostry

Musical Therapy is a laugh-a-minute from start to finish, starring some pretty dysfunctional relationships influenced by an even more exceedingly dysfunctional therapist. Although it feature…

SOURCE: DC Theatre Scene at 2:54pm on July 15, 2018

Review: Dangerous When Wet: Booze, Sex & My Mother at Capital Fringe by John Bavoso

At this point, theatrical works about gay men and their over-the-top, overbearing mothers practically comprise an entire genre unto themselves"think Torch Song Trilogy and Mothers and Sons, …

SOURCE: DC Theatre Scene at 1:48pm on July 15, 2018

Review: Black Confederates at Capital Fringe by Tim Caron

American history is littered with great tragedies, but perhaps none have held onto our collective consciousness as strongly as the Civil War. It was an epic moral and ideological test for a …

SOURCE: DC Theatre Scene at 1:48pm on July 15, 2018
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