“Opera," declares the 1948 book Nights at the Opera, "is like an oyster; it must be swallowed whole or not at all.” Seventy years later, this principle certainly applies to Capital Fringe's The Lives Left Behind, which features four one-act operas that offer a whole lot to swallow " sex, death, infidelity, intrigue, stardom, and more. […] The post Review: The Lives Left Behind at Capital Fringe a…
SOURCE: DC Theatre Scene at 05:06PM on July 15, 2018