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Review: The Lives Left Behind at Capital Fringe by Sarah Elizabeth Adler

“Opera," declares the 1948 book Nights at the Opera, "is like an oyster; it must be swallowed whole or not at all.” Seventy years later, this principle certainly applies to Capital Fringe's The Lives Left Behind, which features four one-act operas that offer a whole lot to swallow " sex, death, infidelity, intrigue, stardom, and more. […] The post Review: The Lives Left Behind at Capital Fringe a…

SOURCE: DC Theatre Scene at 5:06pm on July 15, 2018

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