4,600 stories from Toronto Star
2018 edition includes works by Yolanda Bonnell, Diana Lopez Soto, Lois Weaver, Chayla Hunter, Vivek Shraya and plenty more.
Five instructors offer clear solutions to help make school, and professional theatre, a safer space for young actors.
Kat Sandler's latest creation drops us into the aftermath of a police shooting and we find not only thoughtful drama but rip-roaring comedy.
Progress curators explain why local audiences should see work like Race Cards, Dis Merci and LOST in TRANS.
The new show with the queen in the lead role is already in three U.S. cities and will launch in Toronto later this year.
Theatre company has not yet begun search for successor to Matthew Jocelyn, who leaves in June.
Genevieve Adam's Dark Heart has written seven rich characters whose lives are revealed to be intertwined in fascinating and often quite unexpected ways, Karen Fricker writes.
Soprano to reprise role of Elettra in Mozart's Idomeneo in 2018-19 season, with Colin Ainsworth in title role.
Cast is superb in Jordan Tannahill's interdisciplinary production created in response to mother's cancer diagnosis.
Legendary ballet dancer Mikhail Baryshnikov radiates life and wisdom in tribute to the poet Joseph Brodsky.
Unconventional structure and approach to funding paying off, writes Carly Maga.
Ballet superstar says he won't be dancing so much as evoking the spirit of the words in Brodsky/Baryshnikov.
Insightful script and cast overcome a few implausible moments in tale of dinner party gone wrong, writes Karen Fricker.
Clever staging places the audience in a more natural frame of mind, the better for lead Sheldon Elter to lead us on the chase, writes Karen Fricker.
Bears, a production from Edmonton currently visiting Toronto's Theatre Centre, pulls off the improbable task of translating a thrilling chase story to the theatre, while leaving the audience…
In recent months, we've confronted the self-entitlement of so many men. Yet we continue to hum "La donna e mobile."
Edward Albee classic A Delicate Balance a good fit for a theatre company still reeling from sexual harassment allegations against founder Albert Schultz.
Under Mac Fyfe's direction, Bob Nasmith is pitch-perfect as the regretful character in Beckett's 1958 monologue.
The two London-area school boards said they had concerns with language and portrayals in the play's script, which takes a portion of its dialogue directly from court transcripts.
'Mabel Hubbard was a genius in her own right,' says playwright Trina Davies.
Money will be used to rebuild Tom Patterson Theatre and fund the programs to be contained in it.
Play delving into responses to school shooting could improve with stronger connections between the characters, writes Carly Maga.
Seana McKenna's all-out, heart-wrenching performance as Queen Lear is more than enough to recommend Graham Abbey's production, Karen Fricker writes.
Production's use of rock music has its moments but it often swamps and flattens the characters, writes Carly Maga.
As A Delicate Balance nears premiere, the Schultz scandal poses a conundrum for patrons and artists alike.
