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35,882 stories from The Stage

Sadiq Khan joins calls for more diverse TV shows by Georgia Snow

London mayor Sadiq Khan has become the latest high-profile figure to demand broadcasting regulator Ofcom put new measures in place to improve

SOURCE: The Stage Registration at 7:33am on October 2, 2017☆⚑

Drama, music and dance can help people with dementia " report by Freelance

A new report has recommended the use of drama, music and dance in care homes to help people living with dementia. The

SOURCE: The Stage Registration at 7:33am on October 2, 2017☆⚑

Desire Under the Elms review at Sheffield Crucible " 'atmospheric and operatic' by Ben Kulvichit

The New England farm that provides the setting for Eugene O'Neill's 1924 tragedy plays a large part in precipitating the play's events.

SOURCE: The Stage Registration at 7:30am on October 2, 2017☆⚑

Opera North's Pagliacci/Cavalleria Rusticana review " 'visceral interpretations' by George Hall

This pairing of Pagliacci and Cavalleria Rusticana in Opera North's Little Greats season is traditional " though not in this order. Deemed

SOURCE: The Stage Registration at 6:59am on October 2, 2017☆⚑

Kanye The First review, HighTide Festival, Walthamstow " 'brilliant, but trips over' by Tom Wicker

What if you woke up one day and everyone thought you were hip-hop artist Kanye West? That's the sky-high concept behind the

SOURCE: The Stage Registration at 6:26am on October 2, 2017☆⚑

Opera North's Trial by Jury/L'Enfant Et Les Sortileges review " 'two winning entertainments' by George Hall

Back in 2004, Opera North enjoyed artistic success with Eight Little Greats, a season made up of one-act pieces played in various

SOURCE: The Stage Registration at 6:13am on October 2, 2017☆⚑

Mark Shenton's week: Is the out-of-town try out making a comeback? by Mark Shenton

The tradition of the out-of-town try-out has been a tried and tested route for Broadway shows " developing them away from the

SOURCE: The Stage Registration at 2:00am on October 2, 2017☆⚑

Lyn Gardner: White van man has a story to tell too by Lyn Gardner

Barely a week goes by without a theatre company announcing they are participating in a project with refugees or people from migrant

SOURCE: The Stage Registration at 2:00am on October 2, 2017☆⚑

King Lear starring Ian McKellen review the Minerva Theatre, Chichester " 'intensely moving' by Mark Shenton

After the Tom Hiddleston Hamlet played at RADA’s 160-seater Vanburgh Theatre for just three weeks, this year’s second most exclusive Shakespearean production

SOURCE: The Stage Registration at 4:45am on September 30, 2017☆⚑

Ruth McGowan named director of Dublin Fringe by Michael Quinn

Dublin Fringe Festival has announced the appointment of Ruth McGowan as its new festival director. McGowan, who will take up the post

SOURCE: The Stage Registration at 12:12pm on September 29, 2017☆⚑

RSC box office dips 3% in 2016/17 by Giverny Masso

The Royal Shakespeare Company's box office income last year was £34 million, down £1.1 million from 2015/16. In 2016/17, 2.7 million tickets

SOURCE: The Stage Registration at 12:12pm on September 29, 2017☆⚑

Elizabeth Freestone: Women are being 'sidelined' from leadership roles in theatre by Giverny Masso

  Women working in theatre are often sidelined from leadership jobs, director Elizabeth Freestone has claimed. Freestone was formerly artistic director of

SOURCE: The Stage Registration at 12:12pm on September 29, 2017☆⚑

Cervantes Theatre, London: The dynamic venue giving Spanish writers a voice on the London stage by Promoted Content

Located a stone's throw from some of the South Bank's powerhouse venues, the intimate Cervantes Theatre specialises in multilingual productions from Spain

SOURCE: The Stage Registration at 11:54am on September 29, 2017☆⚑

ENO's Aida review at London Coliseum " 'a musical and visual spectacle' by Inge Kjemtrup

Verdi's Aida lends itself to spectacle. Set in ancient Egypt, and with temple scenes and triumphal processions crucial to the plot, it's

SOURCE: The Stage Registration at 10:54am on September 29, 2017☆⚑

Competition: Win tickets to A Day by the Sea at Southwark Playhouse by Promoted Content

Two's Company is delighted to return to Southwark Playhouse for the fourth production in four years: What The Women Did (2014), The Cutting of the

SOURCE: The Stage Registration at 9:00am on September 29, 2017☆⚑

Turkey review at the Hope Theatre, London " 'superb' by Ka Bradley

Calling a play about artificial insemination Turkey is the set-up for a bawdy comedy. Fair warning: if you go in for cheap

SOURCE: The Stage Registration at 8:17am on September 29, 2017☆⚑

Rattle Snake review at Live Theatre, Newcastle-upon-Tyne " 'powerful but underdeveloped' by Chris Collett

Based on the experiences of women who have suffered coercive controlling domestic abuse, Rattle Snake was originally developed as a training session

SOURCE: The Stage Registration at 8:15am on September 29, 2017☆⚑

The Hartlepool Monkey review at Stratford Circus Arts Centre, London " 'exquisite puppeteering married to distressing subject matter' by Anna Winter

Gyre and Gimble’s retelling of the Hartlepool Monkey legend is highly skilful, slick and unsettling. It’s a strangely pitched production. Marketed as

SOURCE: The Stage Registration at 8:09am on September 29, 2017☆⚑

Barrie Rutter cast in The Captive Queen at Shakespeare's Globe by Roda Musa

Shakespeare's Globe in London has announced that Barrie Rutter will play the role of The Emperor in its production of The Captive

SOURCE: The Stage Registration at 8:06am on September 29, 2017☆⚑

Gin for Breakfast review at Tristan Bates Theatre, London " 'stylish debut play on mental health issues' by Paul Vale

It comes as no surprise that Gin For Breakfast began life as a writing exercise as much as a play. Author Jess

SOURCE: The Stage Registration at 7:57am on September 29, 2017☆⚑

Acosta Danza: Debut review at Sadler's Wells, London " 'a promising start' by Neil Norman

Only a churl would deny Carlos Acosta the chance to let his hair down. And there is plenty of evidence in his

SOURCE: The Stage Registration at 7:44am on September 29, 2017☆⚑

Marcus Brigstocke and Laura Pitt-Pulford cast in Barnum revival by Giverny Masso

Marcus Brigstocke and Laura Pitt-Pulford have been cast in Barnum at London's Menier Chocolate Factory. Barnum, which has music by Cy Coleman,

SOURCE: The Stage Registration at 7:34am on September 29, 2017☆⚑

Fox review at Old Red Lion Theatre, London " 'bleak, bold but muddled' by Dave Fargnoli

Charting the slow unravelling of a doomed relationship, Fox is a bleak, bold but muddled writing debut from author Harrison Rose. From

SOURCE: The Stage Registration at 7:06am on September 29, 2017☆⚑

Gay domestic abuse play wins gender-balanced playwriting award by Roda Musa

  The Black Eye Club by Phil Charles has been announced as the winner of the first Bread and Roses playwriting award.

SOURCE: The Stage Registration at 6:41am on September 29, 2017☆⚑

Frankenstein review at Jack Studio Theatre, London " 'interesting performances' by Julia Rank

Mary Shelley's Frankenstein (celebrating its bicentenary this year) is a messy, straggly, unapologetically raw novel that opens out like a series of

SOURCE: The Stage Registration at 6:32am on September 29, 2017☆⚑
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