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35,882 stories from The Stage

Director Max Elton: 'The play's characters have a one-night stand while one is wearing a mouse costume' by Roda Musa

Director Max Elton is working on David Ireland's new comedy The End of Hope, which is playing at London's Soho Theatre. He

SOURCE: The Stage Registration at 2:00am on October 23, 2017☆⚑

Adam Charteris: Punters, programmes and Netflix: all in a night's work for an usher by Adam Charteris

Working front of house is easy: it pays the bills, the shifts are short and, as an actor, it leaves my days

SOURCE: The Stage Registration at 2:00am on October 23, 2017☆⚑

Lyn Gardner: Criticism needs to change, it's not fit for purpose in the 21st century by Lyn Gardner

British theatre has changed radically during the past 20 years, mostly for the better. Curiously one of the things that has not

SOURCE: The Stage Registration at 2:00am on October 23, 2017☆⚑

Mark Rylance calls on Equity to divert £120m pension pot into clean energy by Georgia Snow

Mark Rylance, Zoe Wanamaker and Maxine Peake are among theatre figures endorsing a campaign to withdraw actors' pensions from fossil fuel investments.

SOURCE: The Stage Registration at 7:06pm on October 22, 2017☆⚑

Diversity in criticism conference " in quotes by The Stage

Earlier this week, campaign group Act for Change and The Stage hosted a conference exploring diversity in criticism, discussing the landscape today,

SOURCE: The Stage Registration at 12:33pm on October 20, 2017☆⚑

Kenneth MacMillan: A National Celebration review at Royal Opera House, London by Rachel Elderkin

Kenneth MacMillan is known as a master storyteller. But even a plotless one-act ballet like Concerto shows how skilled a choreographer the

SOURCE: The Stage Registration at 12:19pm on October 20, 2017☆⚑

La Traviata review at Theatre Royal, Glasgow " 'a lavish revival' by Thom Dibdin

Staged on Tanya McCallin’s lavish funereal set, David McVicar’s production of La Traviata, revived by Marie Lambert, gets straight to the tragedy of the courtesan

SOURCE: The Stage Registration at 11:28am on October 20, 2017☆⚑

Baying for stage blood: meet theatre's gore merchants by Gavin James Bower

From Shakespearean tragedies to slasher horrors, realistic stage blood is a must for shows that aim to shock, disgust and thrill. Industry

SOURCE: The Stage Registration at 11:26am on October 20, 2017☆⚑

Theatre company criticised over 'insulting' Cockney-themed immersive experience by Giverny Masso

A London theatre company has come under fire for mocking working-class culture with a £55-a-head Cockney-themed immersive Christmas supper club. Zebedee Theatre's

SOURCE: The Stage Registration at 11:18am on October 20, 2017☆⚑

Mark Shenton's top 6 long-running West End shows by Mark Shenton

The news this week that Stomp is finally to stop banging its drum (and other random objects) after a 15-year West End

SOURCE: The Stage Registration at 10:16am on October 20, 2017☆⚑

Trois Grandes Fugues review at Sadler's Wells, London " 'illuminating' by Neil Norman

Take three female choreographers and set them the challenge of interpreting the same piece of music in their own fashion. Beethoven's Die

SOURCE: The Stage Registration at 9:12am on October 20, 2017☆⚑

The Threepenny Opera review at Octagon Theatre, Bolton " 'standout performances' by Chris Bartlett

Although its themes of corruption in high places and moral turpitude are perennially relevant, Brecht and Weill's densely packed hybrid of opera

SOURCE: The Stage Registration at 9:03am on October 20, 2017☆⚑

Medea review at Wexford Opera House " 'beset by problems' by George Hall

The Wexford Festival made no secret of the fact that owing to the severe effects of hurricane Ophelia, the company lost the

SOURCE: The Stage Registration at 8:10am on October 20, 2017☆⚑

Mel Giedroyc to star in Much Ado About Nothing by Roda Musa

Rose Theatre Kingston in London has announced that Mel Giedroyc is to star in its production of Much Ado About Nothing, which

SOURCE: The Stage Registration at 7:38am on October 20, 2017☆⚑

Fishskin Trousers review at Park Theatre, London " 'rhapsodic' by Ka Bradley

Three figures face the audience from a circle of pebbles, shells, dried seaweed and other sea debris. Mab (Jessica Carroll), clad in

SOURCE: The Stage Registration at 7:06am on October 20, 2017☆⚑

Meera Syal to star in Annie by Roda Musa

Meera Syal is to join the cast of Annie for the duration of its run at London's Piccadilly Theatre. She will take

SOURCE: The Stage Registration at 6:54am on October 20, 2017☆⚑

Howard Sherman: The case of The Prince of Egypt shows how raised voices can change the arts by Howard Sherman

Mentioned in passing at the end of this column last week was the opening of The Prince of Egypt, a new stage

SOURCE: The Stage Registration at 2:00am on October 20, 2017☆⚑

Production news: Ian McKellen will feature in The Exorcist and adaptation of Madagascar announced by Giverny Masso

This week’s production news includes a UK tour of Madagascar the musical and the casting of Ian McKellen as the voice of

SOURCE: The Stage Registration at 1:48pm on October 19, 2017☆⚑

Spotlight to open subscriptions to voice-over artists for first time by Roda Musa

Casting directory Spotlight has announced a partnership with the membership body that represents voice artists allowing them to subscribe to the castings

SOURCE: The Stage Registration at 12:40pm on October 19, 2017☆⚑

Dominic Cooke: 'Liberal intelligentsia are snobs about musicals' by Giverny Masso

Theatre fans who identify as liberal can be "incredibly elitist" in their attitude towards musical theatre, director Dominic Cooke has claimed. Cooke

SOURCE: The Stage Registration at 12:12pm on October 19, 2017☆⚑

Creative Industries Federation warns of 'major skills crisis' post-Brexit by Georgia Snow

The creative sector in the UK is facing a "major skills crisis" if freedom of movement ends post-Brexit without a replacement that

SOURCE: The Stage Registration at 12:08pm on October 19, 2017☆⚑

Oxy and the Morons review at New Wolsey Theatre, Ipswich " 'winningly warm-hearted' by Fergus Morgan

In the late 1970s, punk band Oxy and the Morons nearly made it, coming within a pen-stroke of signing with record label EMI, before

SOURCE: The Stage Registration at 11:16am on October 19, 2017☆⚑

Venus in Fur at the Theatre Royal Haymarket " review round-up by Fergus Morgan

What an awful moment for Venus in Fur to arrive in the West End. With stories of Hollywood’s deep-seated misogyny dominating the

SOURCE: The Stage Registration at 11:12am on October 19, 2017☆⚑

Technical theatre journalism award launched in honour of Ken Bennett-Hunter by Giverny Masso

A new award for backstage journalism, supported by The Stage, has been launched in memory of former UK Theatre president Ken Bennett-Hunter.

SOURCE: The Stage Registration at 6:12am on October 19, 2017☆⚑

The Lady from the Sea review at the Donmar Warehouse, London " 'earthbound' by Natasha Tripney

Ibsen's The Lady from the Sea is a strange and slippery play. Having been recently appointed as artistic director of the Young

SOURCE: The Stage Registration at 5:49am on October 19, 2017☆⚑
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