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35,727 stories from The Guardian

Dealing With Clair review " Martin Crimp's fierce swipe at pious yuppies by Michael Billington

Orange Tree theatre, RichmondThis revival gains an eerie topicality, yet its ingenious study of moneyed hypocrisy makes it truly timelessBy an extraordinary quirk of fate, Martin Crimp's 198…

SOURCE: The Guardian at 8:24am on October 31, 2018

Secrets of the seat fillers: London's labyrinth of free theatre tickets by Maisie Linford

A number of agencies offer freebies for struggling shows, but the growth in 'papering' doesn't seem to be harming salesTheatre in London can mean an expensive night out. While lots of venues…

SOURCE: The Guardian at 5:04am on October 31, 2018

Soldier On review " veterans and actors join forces to tell military tales by Michael Billington

The Other Palace, LondonEx-service personnel work alongside professional actors in Jonathan Lewis's ingenious piece of meta-theatreWritten and directed by Jonathan Lewis, this is a play abou…

SOURCE: The Guardian at 7:12pm on October 30, 2018

Ali Siddiq review " charisma and hard-won authenticity from an ex-con by Brian Logan

Soho theatre, LondonThe US standup, who spent six years in a Texas prison, delivers an accomplished set drawing on his misspent youth One in three black men in the US will spend time in jail…

SOURCE: The Guardian at 10:24am on October 30, 2018

The haranguing of David Edgar " by his 20-year-old self by Michael Billington

The playwright's imagined confrontation with the political activist he was 50 years ago is a triumph of confessional courage " and relentless optimismWhat happened to the Sgt Pepper generati…

SOURCE: The Guardian at 12:24pm on October 29, 2018

'We're not talking about this': actors spotlight industry's mental health stigma by Catherine Love

It is practically a professional requirement that actors be emotional and vulnerable, but only recently has protecting their mental wellbeing become a priorityActor and playwright Milly Thom…

SOURCE: The Guardian at 3:36am on October 29, 2018

Forgotten review " troubled tribute to the Chinese erased by history by Arifa Akbar

Arcola, LondonDaniel York Loh's twin tale of the Chinese Labour Corps members who head to Europe during the first world world has emotional resonance but fails to come alive on stage The all…

SOURCE: The Guardian at 2:32am on October 29, 2018

Hannah Gadsby: 'I'm still struggling with how Americans make tea' by Brodie Lancaster

The acclaimed comic talks about Nanette's legacy, her friendship with Emma Thompson, Louis CK's comeback and how to dress like her on HalloweenEarly in 2018, Hannah Gadsby arrived in the US …

SOURCE: The Guardian at 2:36pm on October 28, 2018

Clear White Light review " Edgar Allen Poe meets the NHS by Clare Brennan

Live theatre, NewcastleA fantastical reworking of The Fall of the House of Usher set in a Tyneside psychiatric ward hits all the right notesA large, bright clock face looms over double doors…

SOURCE: The Guardian at 4:48am on October 28, 2018

The week in theatre: The Wild Duck; A Very Very Very Dark Matter " review by Susannah Clapp

Almeida; Bridge, LondonAll becomes beautifully clear in Robert Icke's pared down Ibsen, while Martin McDonagh overloads his dark, dizzying fairytaleAh, Robert Icke and his theatrical revelat…

SOURCE: The Guardian at 4:48am on October 28, 2018

Medusa review " snakes with overbite by Luke Jennings

Dance East, IpswichA retelling of the Greek myth for the #MeToo generation makes some clever points but clobbers them homeIn her new full-evening show, Jasmin Vardimon tells the tale of the …

SOURCE: The Guardian at 3:42am on October 28, 2018

Meet the cast of debbie tucker green's ear for eye: 'What's on stage needs to reflect life' by Arifa Akbar

As the award-winning writer's new play opens at the Royal Court, the actors involved talk about breaking boundaries in British theatre and tucker green's innovative approachBefore the Royal …

SOURCE: The Guardian at 3:42am on October 28, 2018

Dave Chappelle's secret gig proves rude health of black British comedy by Iman Amrani

After his sellout shows with Jon Stewart, the US star hosted a free night in London featuring local acts and a raucous slew of close-to-the-bone material"I see a white man," said Dave Chappe…

SOURCE: The Guardian at 2:06pm on October 26, 2018

Clear White Light review " a gem of psychiatric gothic-horror folk-rock by Mark Fisher

Live theatre, Newcastle Edgar Allen Poe's The Fall of the House of Usher is restaged in a Tyneside mental hospital in a poignant and politically charged musicalIt sounds like a challenge for…

SOURCE: The Guardian at 1:04pm on October 26, 2018

Eva Recacha: Aftermath review " choreographing something out of nothing by Lyndsey Winship

Lilian Baylis Studio, London Dancers Eleanor Sikorski and Charlotte Maclean weave patterns of wit, absurdity and giddy joy in a strange and quietly radical showTwice a finalist in the Place …

SOURCE: The Guardian at 10:48am on October 26, 2018

I and You review " Maisie Williams blazes with a craving for life by Michael Billington

Hampstead theatre, LondonThe Game of Thrones star plays a surly death-haunted 17-year-old whose life is changed by a book of poems and an unlikely friendshipScarcely known in Britain, Lauren…

SOURCE: The Guardian at 7:32am on October 26, 2018

The Waverly Gallery review " Elaine May dazzles in devastating dementia drama by Alexis Soloski

The John Golden Theatre, New YorkKenneth Lonergan's personal play about a gallery owner losing her memory is a beautifully acted, quietly crushing tragedyThe Waverly Gallery, now revived on …

SOURCE: The Guardian at 10:42pm on October 25, 2018

The Unreturning review " three generations search for home by Mark Fisher

Traverse, EdinburghAnna Jordan's four-hander for Frantic Assembly, unfolding across time to tell parallel war stories, is performed with heart and focusA man is trying to cross the sea to hi…

SOURCE: The Guardian at 8:24am on October 25, 2018

A Very Very Very Dark Matter review " so, did Hans Christian Andersen keep a woman in cage? by Michael Billington

Bridge theatre, LondonJim Broadbent is brilliantly buffoonish and sadistic in Martin McDonagh's wildly inventive dismantling of the great Danish storytellerMartin McDonagh's new play is calc…

SOURCE: The Guardian at 6:12am on October 25, 2018

Elyse Dodgson, Royal Court theatre's international director, dies by Mattha Busby

Theatre world pays tribute to Dodgson, who joined Royal Court's artistic team in 1985Elyse Dodgson, the Royal Court's international director for the past 22 years, has died, the theatre anno…

SOURCE: The Guardian at 7:18pm on October 24, 2018

Link Link by Isabella Rossellini review " superstar's pooch steals the show by Arifa Akbar

Queen Elizabeth Hall, LondonA cod-scientific lecture on animal behaviour is given a comic twist in a surreal show that is too cutesyIsabella Rossellini went back to university to study anima…

SOURCE: The Guardian at 11:33am on October 24, 2018

The audition was an assault course: women seize combat roles in new play by Natasha Tripney

Kate Bowen talks about her drama Close Quarters, exploring the aspirations and gender wars of three female squaddiesIn 2016, the ban on women in the British army fighting in close combat ro…

SOURCE: The Guardian at 7:06am on October 24, 2018

The Wild Duck review " Ibsen tarred and feathered by Robert Icke by Michael Billington

Almeida, London This parasitic rewrite treats a masterpiece as a lecture and totally overlooks Ibsen's elusive comedyIf you want an example of the arrogance of director's theatre, head to th…

SOURCE: The Guardian at 7:06am on October 24, 2018

When the play's the thing to help us talk about Alzheimer's by Danny Lee

A show touring libraries in the south-east aims to help make people affected by dementia feel they are less aloneAn actor sits in an armchair on a makeshift stage. People wander in, some eld…

SOURCE: The Guardian at 1:36pm on October 23, 2018

Medusa review " a snake-haired gorgon for the #MeToo era by Lyndsey Winship

Sadler's Wells, LondonJasmin Vardimon's twist on the ancient Greek myth features near-contortionist dancers and violent choreography let down by a cloudy central conceptA billowing plastic s…

SOURCE: The Guardian at 10:18am on October 23, 2018
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