Live theatre, NewcastleA fantastical reworking of The Fall of the House of Usher set in a Tyneside psychiatric ward hits all the right notesA large, bright clock face looms over double doors, piercing the rough-hewn stone walls framing two sides of a bare stage (Neil Warmington's sparse, effective gothic-institution design). Standing alone in a dim light, Alison (Bryony Corrigan, all bright innocence) introduces the …
SOURCE: The Guardian at 04:48AM on October 28, 2018