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35,727 stories from The Guardian

Hadestown: how Anaïs Mitchell's lo-fi hit became a sensational musical by Alexis Soloski

It started as a show that toured Vermont in a school bus. Now it's hitting the National Theatre and is bound for Broadway. We track the long, winding road of HadestownHadestown, the Orphic m…

SOURCE: The Guardian at 7:18am on November 5, 2018

The Exorcism review " devilishly tricksy haunted-house tale by Brian Logan

Battersea Arts Centre, LondonShifting between eerie ghost story and broad comedy, Ross Sutherland's intriguing solo show about demonic possession never quite makes its intentions clearJust a…

SOURCE: The Guardian at 1:48am on November 5, 2018

Theatre job aimed at black directors given to man who said he was white by Jim Waterson Media Editor

Anthony Ekundayo Lennon applied as 'mixed-heritage' to Talawa Theatre CompanyA theatre director who has previously described himself as white was awarded a job designed to increase the repre…

SOURCE: The Guardian at 6:06pm on November 4, 2018

Harry Potter and the Cursed Child album released by Chris Wiegand

Original music by Imogen Heap features in the ambitious two-part stage playMusic from the triumphant West End play Harry Potter and the Cursed Child has been released as a new album by the G…

SOURCE: The Guardian at 8:12am on November 4, 2018

The Funeral Director review " sex, death and religious belief by Michael Billington

Southwark Playhouse, LondonIman Qureshi's award-winning play examines Islamic attitudes to same-sex relationships with grace and dignityEvery year the Papatango New Writing prize comes up wi…

SOURCE: The Guardian at 7:06am on November 4, 2018

The week in theatre: ear for eye; The Wolves; I and You " review by Susannah Clapp

Royal Court; Theatre Royal Stratford East; Hampstead, Londondebbie tucker green delivers blistering insights into racism in the west. Elsewhere, joyous teenage kicks and a gasp-out-loud deno…

SOURCE: The Guardian at 3:48am on November 4, 2018

Placebo review " the feeling is mutual by Luke Jennings

The Place, LondonClod Ensemble's latest medical meditation asks audience members to monitor their reaction to the showClod Ensemble was founded in 1995 by director Suzy Willson and composer …

SOURCE: The Guardian at 3:48am on November 4, 2018

Close Quarters review " a brave battle of preconceptions by Clare Brennan

Crucible, SheffieldA crack ensemble delivers Kate Bowen's timely new play exploring identity and gender through female officers on their first tour of dutyLast month, the defence secretary a…

SOURCE: The Guardian at 3:48am on November 4, 2018

Sheridan Smith: 'I just fell apart. I lost my mind for a time there' by Tom Lamont

She was a rising star, but silently struggled with alcohol and panic attacks. The actor tells all about her breakdown and her hard-won recoverySheridan Smith arrives at the restaurant with a…

SOURCE: The Guardian at 12:32pm on November 3, 2018

Chekhov's First Play review " a pure theatrical thrill-ride by Miriam Gillinson

Battersea Arts Centre, LondonDead Centre take a wrecking ball to poor 18-year-old Chekhov's first work, in this wildly playful piece about the elusiveness of meaningTake Chekhov's first play…

SOURCE: The Guardian at 5:36pm on November 2, 2018

Elyse Dodgson obituary by Katharine Viner

Prime mover in bringing international theatre to the British stageElyse Dodgson, who has died aged 73 of heart failure, helped playwrights around the world find their voice, and was a powerf…

SOURCE: The Guardian at 1:12pm on November 2, 2018

Mark Gatiss: 'The League of Gentlemen was a premonition of Brexit' by Arifa Akbar

After a turn on stage as George III, the co-founder of the League is returning to horror to recreate Dracula for TV. What he finds 'frightening and debilitating' now, though, is leaving the …

SOURCE: The Guardian at 12:04pm on November 2, 2018

Felicity Ward: 'When I was nine I was certain an undercut would change my social standing' by Harriet Gibsone

The Australian standup and Radio 4 regular on the things that make her laugh the mostEddie Pepitone had this routine about auditioning for a laundry commercial where the casting agent said h…

SOURCE: The Guardian at 10:54am on November 2, 2018

Bury the Dead review " fallen soldiers refuse to lie down by Michael Billington

Finborough theatre, London Six dead men do not want to be buried in Irwin Shaw's expressionist but schematic anti-war play from 1936You can applaud a play's intentions without enjoying its e…

SOURCE: The Guardian at 10:54am on November 2, 2018

La Bayadère review " Marianela Núñez dances with heart-rending beauty by Lyndsey Winship

Royal Opera House, LondonThe loose plotting of the love story is offset by performers who elevate the melodrama to mesmerising levelsLet's take a moment to appreciate the genius of Marianela…

SOURCE: The Guardian at 8:42am on November 2, 2018

'It's like a cult': how sexual misconduct permeates the world of ballet by Alexandra Villarreal

The #MeToo movement has slowly started to have an effect on the men who've abused their position with ballet dancers but there's still a long way to goWhen Alexandra Waterbury was a student …

SOURCE: The Guardian at 4:24am on November 2, 2018

Othello at the Old Vic - archive, 2 November 1951 by P. H.-w.

2 November 1951: Douglas Campbell's portrayal of Othello, his magnificent voice, his generosity, and his feeling for the words, won the dayLondon, ThursdayWe now have two Othellos in London:…

SOURCE: The Guardian at 2:04am on November 2, 2018

ear for eye " debbie tucker green's furious dissection of racial injustice by Michael Billington

Royal Court, LondonGenerational friction, slavery laws and police protocol all come under scrutiny in a stirring three-part study of oppressionAs she showed in her plays hang (2015) and trut…

SOURCE: The Guardian at 8:24pm on November 1, 2018

Clod Ensemble: Placebo review " medical science as hypnotic dance by Lyndsey Winship

The Place, LondonBoundaries between fake and real are blurred and broken in a smart, funny show that fuses science and artFake operations that cure knee pain, empty pills that work as well a…

SOURCE: The Guardian at 4:06pm on November 1, 2018

The Fall: what the hit South African play can teach us about the US by David Smith In Washington

In retelling the story of students dismantling a colonialist statue in Cape Town, a vibrant dance-filled production carries prescience for contemporary America"Rhodes was suspended in the ai…

SOURCE: The Guardian at 1:54pm on November 1, 2018

Dave Gorman review " nitpicking fury of a PowerPoint maestro by Brian Logan

Royal Festival Hall, LondonThe comic is on solid form as he deploys graphs, data and ruthless over-thinking to rage against life's tiny detailsChurnalism, fraudulent daytime TV, the idiocies…

SOURCE: The Guardian at 12:48pm on November 1, 2018

Darcey Bussell steps back in time " in pictures

In her new book, Evolved, the Strictly judge and former Royal Ballet star gives an intimate account of her career, alongside photographs of her rehearsals, performances and fashion shoots Co…

SOURCE: The Guardian at 9:33am on November 1, 2018

James Acaster review " a comedy genius at the peak of his powers by Brian Logan

Vaudeville theatre, LondonThe standup refines his intricate tales with a note of personal poignancy for a set that will leave you drunk on its brillianceWe had no right to ask more of James …

SOURCE: The Guardian at 7:06pm on October 31, 2018

The Wolves review " swaggering, tender tales of women's football by Arifa Akbar

Theatre Royal Stratford East, LondonTeenaged soccer players in the US suburbs laugh, gossip and fight in Sarah DeLappe's playIn Sarah DeLappe's Pulitzer-nominated debut play, the Wolves are …

SOURCE: The Guardian at 2:48pm on October 31, 2018

Birmingham Royal Ballet: Fire and Fury review " flaming hot dancers by Lyndsey Winship

Sadler's Wells, LondonFire ripples through dancers' bodies in Juanjo Argues' vital new work, while David Bintley rekindles his Sun King spectacleThis double bill from Birmingham Royal Ballet…

SOURCE: The Guardian at 10:24am on October 31, 2018
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