In retelling the story of students dismantling a colonialist statue in Cape Town, a vibrant dance-filled production carries prescience for contemporary America"Rhodes was suspended in the air and he swung a few inches above the plinth like he wasn't sure if he should get off, or not. It looked like his ghost was fighting back, trying to make him topple over and crush our black bodies one more time. But he was gone �…
SOURCE: The Guardian at 01:54PM on November 1, 2018