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35,882 stories from The Stage

Peter Pan review at Grand Opera House, Belfast " 'David Bedella's Hook lights up a lacklustre story' by Jane Coyle

The plot begins in familiar territory. Out of the moonlight, a bright-faced boy in green flies through a bedroom window to the

SOURCE: The Stage Registration at 8:54am on December 6, 2017☆⚑

The Wind in the Willows review at Sherman Theatre, Cardiff " 'imaginative retelling' by Rosemary Waugh

Toad Hall is up for auction in Mike Kenny's adaptation of Kenneth Grahame's The Wind in the Willows. Like Evelyn Waugh's Brideshead

SOURCE: The Stage Registration at 8:10am on December 6, 2017☆⚑

Theatre du Chatelet artistic director Ruth Mackenzie: 'The UK doesn't realise that culture binds communities together' by Eleanor Turney

Highly experienced festival director Ruth Mackenzie is jointly taking the helm of Paris' Theatre du Chatelet. She tells Eleanor Turney how the

SOURCE: The Stage Registration at 8:04am on December 6, 2017☆⚑

Aladdin review at the Dukes, Lancaster " 'hugely enjoyable, with some light-touch moralising' by Eleanor Turney

Sarah Punshon, directing her first show for the Dukes since becoming its artistic director, starts on fine form with this high-energy and

SOURCE: The Stage Registration at 7:35am on December 6, 2017☆⚑

The Jungle Book review at Unity Theatre, Liverpool " 'simple but evocative' by Nigel Smith

Among the myriad of seasonal family shows that are, if we're honest, aimed at adults, comes this little gem that is genuinely

SOURCE: The Stage Registration at 7:14am on December 6, 2017☆⚑

Puppet-maker features in third year of Old Vic 12 talent development scheme by Georgia Snow

The Old Vic has announced the latest 12 artists to join its talent development programme, including the scheme’s first puppet-maker. Now in

SOURCE: The Stage Registration at 7:06am on December 6, 2017☆⚑

Cate Blanchett eyes return to UK stage by Matthew Hemley

Cate Blanchett has hinted at a return to the UK stage following a hiatus of five years. The Oscar-winning actor told The

SOURCE: The Stage Registration at 7:06am on December 6, 2017☆⚑

Careers Clinic: How can I make my festive show shine? by John Byrne

I started off as an all-singing, all-dancing stage school kid. At drama school, my interests developed in a somewhat different direction: towards

SOURCE: The Stage Registration at 7:00am on December 6, 2017☆⚑

RSC announces Romeo and Juliet casting by Georgia Snow

Bally Gill and Karen Fishwick have been cast as Romeo and Juliet in the Royal Shakespeare Company’s forthcoming production of the Shakespeare

SOURCE: The Stage Registration at 6:31am on December 6, 2017☆⚑

Our top 10 alternative Christmas shows (not a pantomime in sight) by The Stage

1. A Christmas Carol, The Old Vic (and elsewhere) November 20-January 20 The rattling of Jacob Marley's chains threatens to drown out the

SOURCE: The Stage Registration at 6:26am on December 6, 2017☆⚑

Barnum review at Menier Chocolate Factory, London " 'lacking in magic' by Natasha Tripney

Phineas Taylor Barnum lived a large life. The salesman, showman, promoter, impresario and would-be politician " who probably didn't say "there's a

SOURCE: The Stage Registration at 6:22am on December 6, 2017☆⚑

The Hundred and One Dalmatians review at Birmingham Repertory Theatre " 'funny, warm, and inventive' by Ben Kulvichit

With Goats playing at the Royal Court, part of me optimistically hoped to see 101 real dogs in the Birmingham Rep's adaptation

SOURCE: The Stage Registration at 5:53am on December 6, 2017☆⚑

Beauty and the Beast review at Queen's Theatre, Hornchurch " 'brash and spirited' by Dave Fargnoli

Poised between traditional panto and jukebox musical, this energetic interpretation of Beauty and the Beast is carried along on a blast of

SOURCE: The Stage Registration at 5:52am on December 6, 2017☆⚑

Andrew Lloyd Webber for six-part series on Classic FM by Matthew Hemley

Andrew Lloyd Webber will join composer Howard Goodall in conversation about musical theatre for a new six-part series coming to radio station

SOURCE: The Stage Registration at 4:00am on December 6, 2017☆⚑

Mark Shenton: How should critics write about an actor's physical appearance? by Mark Shenton

Theatre exists in its physicality: the actors might be playing roles, but at some level we are also watching them personally, with

SOURCE: The Stage Registration at 2:00am on December 6, 2017☆⚑

CN Lester: Theatre allows trans performers to represent ourselves truthfully by Cn Lester

When was the last time you listened to a trans person talk about their life? Not in a radio or television debate,

SOURCE: The Stage Registration at 2:00am on December 6, 2017☆⚑

Is threatened loss of historic studio sending scenic artists into the wilderness? by Nick Smurthwaite

As London's last remaining scene-painting workshop, the at-risk Harkers studio is a vital resource for scenic artists, now predominantly 'nomadic' freelances. Designers

SOURCE: The Stage Registration at 12:18pm on December 5, 2017☆⚑

The Lambton Worm review at Customs House, South Shields " 'folklore meets panto' by Chris Collett

Rather than opting for a pantomime staple, the Customs House this year has chosen north east folktale " and song " the

SOURCE: The Stage Registration at 11:34am on December 5, 2017☆⚑

Local council defends 65% funding cut to Bristol Old Vic by Giverny Masso

Bristol's mayor has defended funding cuts to the arts after the city council confirmed that the Old Vic theatre's funding will be

SOURCE: The Stage Registration at 11:33am on December 5, 2017☆⚑

Four in 10 people would never go to the opera as it's too hard to understand, says survey by Roda Musa

Expensive ticket prices, long running times and complicated plots have been cited as reasons why people are deterred from going to the

SOURCE: The Stage Registration at 11:33am on December 5, 2017☆⚑

Christmas Farce review at Waterloo East Theatre, London " 'forced silliness' by Ka Bradley

Shaun Kitchener's Christmas Farce, set in the green room of a contemporary retelling of the Nativity on press night, is rife with "Ooh,

SOURCE: The Stage Registration at 10:37am on December 5, 2017☆⚑

A Bottle of Wine and Patsy Cline review at Rose Theatre, Edinburgh " 'heartfelt' by Thom Dibdin

The life of country and western singer Patsy Cline is shot through with heartbreak. Morag Fullarton’s sketchy but heartfelt show was originally staged at Glasgow’s…

SOURCE: The Stage Registration at 9:22am on December 5, 2017☆⚑

How to turn your musical into the next big hit by Phil Willmott

There used to be little support to develop musical theatre shows in the UK, but many new schemes have appeared. Phil Willmott

SOURCE: The Stage Registration at 8:00am on December 5, 2017☆⚑

Dear Brutus review at Southwark Playhouse, London " 'genuinely poignant' by Natasha Tripney

Lost children populate JM Barrie's work. Not just the motherless boys of Peter Pan, but the vanishing daughter of Mary Rose too.

SOURCE: The Stage Registration at 7:56am on December 5, 2017☆⚑

Barnum director Gordon Greenberg: 'I'm stuffing the greatest show on earth into the smallest theatre' by Holly Williams

The Broadway actor turned director is bringing Barnum to London " but not to a large West End venue. He tells Holly

SOURCE: The Stage Registration at 7:36am on December 5, 2017☆⚑
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