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3,491 stories from The Arts Desk

The Merchant of Venice, BBC iPlayer review " a parable on the limits of tolerance by Laura De Lisle

Polly Findlay's 2015 take on Shakespeare's trickiest comedy pays dividends Ah, 2015. Those halcyon days of packed theatres. Thank God the RSC had the presence of mind to film Polly Findlay'…

SOURCE: The Arts Desk at 7:03am on July 31, 2020

Songs for a New World, The Other Palace Digital review - chimes with our extraordinary 'moment' by Marianka Swain

Jason Robert Brown's abstract musical offers resonant tales of the unexpected We've already had The Last Five Years in lockdown; now, we get a digital production of American composer Jason R…

SOURCE: The Arts Desk at 3:36am on July 25, 2020

Theatre Unlocked 2: A starry premiere and musical revival alongside Greek tragedy where it began by Matt Wolf

Empty playhouses caught on camera and an online 'Merchant' complete a typically varied week of theatrical fare Theatres will begin gently unlocking their doors as we head into August. In the…

SOURCE: The Arts Desk at 11:18am on July 23, 2020

My White Best Friend (And Other Letters Left Unsaid), Royal Court review " raw but generous by Aleks.sierz

A festival of responses to the Black Lives Matter campaign is personal, political and powerful The strength of the response to the re-emergence of the Black Lives Matter campaign has provoke…

SOURCE: The Arts Desk at 4:32am on July 22, 2020

Horrible Histories: Barmy Britain, Northampton Saints review - history made funny by Veronica Lee

Lots of bum and poo gags to keep the kids happy In each of its incarnations " books, television series and theatre shows " covering more than 80 titles, Horrible Histories, created by Terry …

SOURCE: The Arts Desk at 4:18am on July 20, 2020

Amadeus, National Theatre at Home review " wild dance at the edges of sanity by Rachel Halliburton

As Mozart, Adam Gillen erupts onto the stage as a Tourette's tornado It is 41 years since Peter Shaffer ripped off Mozart's respectable façade to reveal a foul-mouthed verbally incontinen…

SOURCE: The Arts Desk at 8:24am on July 17, 2020

Institute, BBC4 review " masculinity and memory in a nightmarish world of work by Sam Marlowe

Physical-theatre company Gecko's debut feature film is compelling and technically skilled Missing the office? Or are you dreading the day you have to return? What's your relationship to the …

SOURCE: The Arts Desk at 3:54pm on July 16, 2020

Theatre Unlocked 1: George Floyd remembered, a classic transformed, and a call to action re climate change by Matt Wolf

A Broadway legend in concert lends musical buoyancy to this week's ever wide-ranging theatrical array We're easing out of lockdown, haircuts are being had, and the theatre continually shape…

SOURCE: The Arts Desk at 9:18am on July 16, 2020

Blueprint Medea, Finborough Theatre online review " well-meaning but clunky update by Laura De Lisle

Updated Greek tragedy has some good ideas but doesn't fully deliver Medea is the original crazy ex-girlfriend: the wronged woman who takes perfectly understandable revenge on the man who mad…

SOURCE: The Arts Desk at 1:48am on July 16, 2020

The Deep Blue Sea, National Theatre at Home review - hauntingly elegiac portrayal of Rattigan's world by Rachel Halliburton

Helen McCrory is the broken, irreparable heart of this production Helen McCrory is an actor who can inject a world of feeling into one syllable that many actors would struggle to muster in a…

SOURCE: The Arts Desk at 6:48am on July 10, 2020

Theatre Lockdown Special 13: Early Lloyd Webber, vintage Rattigan, and a Dame or two in conversation by Matt Wolf

Medeas past and present conjoin across a characteristically eclectic theatre week Stop the presses! For the first time in nearly four months, The Arts Desk can point to the first of several…

SOURCE: The Arts Desk at 9:54am on July 9, 2020

Toast, Lawrence Batley Theatre online review - pungent adaptation of Nigel Slater's autobiography by Rachel Halliburton

Food crimes of the Sixties and Seventies are revealed here as Michelin-starred memories I knew what a Howard Hodgkin painting would look like before I ever saw one because of Nigel Slater. T…

SOURCE: The Arts Desk at 4:03am on July 3, 2020

Les Blancs, National Theatre at Home review " triumphant revival of forgotten classic by Aleks.sierz

NT archive recording of Lorraine Hansberry's last play is absolutely compelling Lorraine Hansberry's debut, A Raisin in the Sun, was the first drama written by a black woman to be produced o…

SOURCE: The Arts Desk at 10:32pm on July 2, 2020

Theatre Lockdown Special 12: An American rarity, a British savoury, and fresh Apples by Matt Wolf

Nigel Slater is back, as is Richard Nelson's Apple family for a second time via Zoom Can this weekly lineup really now be three months old?  As we move towards at least some degree of re…

SOURCE: The Arts Desk at 5:48am on July 2, 2020

Birdsong, The Original Theatre Company online review " a gutsy experiment by Laura De Lisle

Socially distanced version of Sebastian Faulks novel clips along at a fair pace Birdsong, Sebastian Faulks' best-selling First World War novel, has been adapted quite a few times in its twe…

SOURCE: The Arts Desk at 4:48am on July 2, 2020

Hamilton, Disney+ review - puts us all in the room where it happened by Marianka Swain

Lin-Manuel Miranda's groundbreaking musical gets another shot on screen The movie adaptation of Lin-Manuel Miranda's In the Heights was meant to hit cinemas this summer, but, in response to …

SOURCE: The Arts Desk at 8:48pm on June 30, 2020

A Midsummer Night's Dream, National Theatre At Home review " a mad delight by Laura De Lisle

Nicholas Hytner makes the familiar gloriously strange in this slippery, sumptuous show Nicholas Hytner's A Midsummer Night's Dream, filmed for NT Live at the Bridge Theatre l…

SOURCE: The Arts Desk at 7:18am on June 26, 2020

The Last Five Years, The Other Palace Digital review - socially distanced heartbreak by Marianka Swain

Jason Robert Brown's chamber musical has new lockdown resonance A musical featuring two people who are physically separated? Jason Robert Brown's work is a shutdown natural " as this new dig…

SOURCE: The Arts Desk at 9:32pm on June 25, 2020

Theatre Lockdown Special 11: Shakespeare-as-rave, a starlit Old Vic, and, yes, those singing nuns by Matt Wolf

Some celeb-heavy revivals and a kids-friendly showstopper feature amongst this week's lineup Might we be nearing light at the end of the lockdown tunnel? It definitely seems that way, with t…

SOURCE: The Arts Desk at 6:06am on June 25, 2020

Ian Holm, British film's best supporting actor by Jasper Rees

From King Lear to Bilbo Baggins - remembering the great film actor who vanquished stage fright Ian Holm was once in his local cinema on High Street Kensington, enquiring at the ticket office…

SOURCE: The Arts Desk at 6:24pm on June 20, 2020

Small Island, National Theatre At Home review " big-hearted story hits every beat by Laura De Lisle

Andrea Levy's Windrush epic bursts triumphantly onto the stage " and our screens A British-Jamaican man is confused. It's the Second World War, and he signed up for the RAF on the understan…

SOURCE: The Arts Desk at 10:32am on June 19, 2020

Theatre Lockdown Special 10: Epic plays from the National Theatre and Broadway alongside voices raised in protest by Matt Wolf

The state of Britain then and now gets a look-in, as do animals in human form As lockdown continues, National Theatre at Home has announced its final sequence of plays, and several of the v…

SOURCE: The Arts Desk at 9:12am on June 18, 2020

Theatre Lockdown Special 9: Alan Bennett revisited, and so is Oz by Matt Wolf

THEATRE LOCKDOWN SPECIAL 9: Alan Bennett revisited, and so is Oz Some familiar titles, a 1913 rarity and a show in which the audience plays its part The government may occupy shifting sands…

SOURCE: The Arts Desk at 8:12am on June 18, 2020

A Midsummer Night's Dream, Shakespeare's Globe online review - a seasonal treat by Heather Neill

Michelle Terry, John Light and Pearce Quigley lead an inventive cast relishing the comic potential of the Elizabethan stage What could be better for a lockdown summer night "out" than a virt…

SOURCE: The Arts Desk at 2:42am on June 16, 2020

The Madness of George III, National Theatre at Home review " a powerful, elegant depiction by Rachel Halliburton

A story told with the wit and elegance of a tune played on a harpsichord It has been the fate of George III " who on many levels was a visionary and accomplished monarch " to go down in hist…

SOURCE: The Arts Desk at 12:24pm on June 12, 2020
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