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2,260 stories from Chicago Theater Beat

Review: Motortown (Steep Theatre) by Scotty Zacher

Motortown is Steep Theatre's signature move kicked up a notch. The anticipated tension is there but super-charged, like walking through a field of land mines holding a grenade. It's an unf…

SOURCE: Chicago Theater Beat at 8:17pm on October 6, 2013

Review: Broadsword " A Heavy Metal Play (The Gift Theatre) by Scotty Zacher

The phenomenal cast highlighted by John Kelly Connolly and Cyd Blakewell, along with Stephen H. Carmody's incredible set, make Broadsword an enjoyable evening. This Faustian tale may not pre…

SOURCE: Chicago Theater Beat at 12:29am on October 6, 2013

Review: The Last Hand (Inglis Hall Productions) by Scotty Zacher

Despite an over-long and redundant set-up, Last Hand still manages to engage with an almost surreal quality, focusing on the goodness in men and the ability to choose to leave a gang. With s…

SOURCE: Chicago Theater Beat at 3:28pm on October 5, 2013

Review: The Book of Spectres (Grey Ghost Theatre) by Scotty Zacher

While I enjoyed Book of Spectres, the production as a whole falls short. Much of this is due to the uneven script, which five extremely capable actors elevate as much as they can " but still…

SOURCE: Chicago Theater Beat at 12:23pm on October 5, 2013

Review: Four Quartets (Mirovelle Partners at Provision Theater) by Scotty Zacher

There's good theater and there's bad theater. Then, there's self-indulgent theater: productions that exists only because the people working on them are interested in seeing themselves in the…

SOURCE: Chicago Theater Beat at 8:58pm on October 4, 2013

Review: Veronica's Room (BoHo Theatre) by Scotty Zacher

My best recommendation is to do as I did, and sit in the front row for maximum chill. Those of you who like to be grabbed not by hands under a bed but by fingers under your skin, hurry on do…

SOURCE: Chicago Theater Beat at 9:15am on October 4, 2013

Review: The Killer Angels (Lifeline Theatre) by Scotty Zacher

Though I'm not a Civil War buff, I was thoroughly engrossed by Killer Angels. It's excellent! The orchestration of this tale is one of Lifeline's highest achievements. (read more...)

SOURCE: Chicago Theater Beat at 9:50pm on October 3, 2013

Review: Signs of Life (Snap-Two Productions) by Scotty Zacher

In spite of its first act imperfections, Signs of Life, delivers a major emotional wallop. Though it celebrates the human spirit and strength of the interned Jews, it doesn't keep the actual…

SOURCE: Chicago Theater Beat at 8:20pm on October 3, 2013

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SOURCE: Chicago Theater Beat at 5:31pm on October 1, 2013

Sanity break " Twitter the Musical by Scotty Zacher

  Twitter the Musical – how fun is that????

SOURCE: Chicago Theater Beat at 5:17pm on October 1, 2013

Review: The Trip to Bountiful (Raven Theatre) by Scotty Zacher

The Trip to Bountiful is a worthy production for Raven Theatre's focus on modern, primarily American, drama. Director JoAnn Montemurro and the talented cast communicate all the complex theme…

SOURCE: Chicago Theater Beat at 11:15am on September 29, 2013

Review: Pullman Porter Blues (Goodman Theatre) by Scotty Zacher

With Goodman Theatre's Pullman Porter Blues, we get an entertaining and engrossing history lesson in the Pullman Company. The lesson not only concerns transportation history but, more import…

SOURCE: Chicago Theater Beat at 11:51pm on September 28, 2013

Review: Broken Fences (16th Street Theater, Pegasus Players and Congo Square Theatre) by Scotty Zacher

Despite light touches, this riveting play is about the profundity of defining home. On a broad level, Playwright Steve Simoncic delves deep into economic clashes rooted in class, race and pr…

SOURCE: Chicago Theater Beat at 7:41pm on September 28, 2013

Review: Pains of Youth (Odradek Theatre & Oracle Theatre) by Scotty Zacher

With a bit more polish, this production has the potential to engross an audience with powerful action and imagery. As it stands, Pains of Youth carries your attention, but doesn't really car…

SOURCE: Chicago Theater Beat at 11:35pm on September 27, 2013

Review: 4000 Miles (Northlight Theatre) by Scotty Zacher

4000 Miles is an enjoyable journey, thanks to the Amy Herzog's warm, human characters that director Kimberly Senior and actors Mary Ann Thebus and Josh Salt have brought to life. These are p…

SOURCE: Chicago Theater Beat at 9:09am on September 27, 2013

Review- It's All-Right To Have a Good Time: The Story of Curtis Mayfield (Black Ensemble Theater) by Scotty Zacher

BET's musical biography presensts us with the undiluted sound of "Chicago soul""and it's never sounded so necessary. These standards don't just resonate"they detonate. Musical director Rober…

SOURCE: Chicago Theater Beat at 9:12am on September 26, 2013

Review: The Wheel (Steppenwolf Theatre) by Scotty Zacher

Despite a stellar performance from Joan Allen (her first appearance since 1991), tight production values and excellent imagery, Tina Landau's rendition of Zinnie Harris' wartime epic is in d…

SOURCE: Chicago Theater Beat at 9:54pm on September 25, 2013

Review: Godspell (Theatre at the Center) by Scotty Zacher

Godspell's s considerable strength lies not in its childlike (and sometimes childish) affectatios, but in the magnificent vocals the cast brings to Schwartz's score. Despite its sugary-sweet…

SOURCE: Chicago Theater Beat at 9:17am on September 24, 2013

Review: Evita (Broadway in Chicago) by Scotty Zacher

Obsessive Evita fans will notice that there's been a few scenes cut from the show. In their place is an additional song and dialogue from the 1997 film. Ultimately, however, Evita sounds goo…

SOURCE: Chicago Theater Beat at 11:41pm on September 23, 2013

Review: The BenchMark (Step Up Productions) by Scotty Zacher

The BenchMark's heart is (street)smart as it shines a light on Chicago's homelessness. Director Tara Branham's busy 9-person ensemble create a very cosmopolitan chorus. And as the bitterswe…

SOURCE: Chicago Theater Beat at 11:37am on September 22, 2013

Review: Coyote on a Fence (Emergent Theatre) by Scotty Zacher

Overall, Coyote on a Fence is big on ideas and morality, but short on character and motivation. While there is some interesting dialogue around capital punishment and how effective it really…

SOURCE: Chicago Theater Beat at 10:44pm on September 21, 2013

Review: To Master the Art (Broadway Playhouse) by Scotty Zacher

A tasty time trip makes us "present at the creation" of a food icon and the loving husband who aided and abetted her savory saga. The play's ingredients may not always blend like Julia's Fre…

SOURCE: Chicago Theater Beat at 11:33am on September 21, 2013

Review: The Crownless King (House Theatre of Chicago) by Scotty Zacher

The best sequels manage to up the ante by not only reprising the favorite elements of the original, but also offering new and even more wondrous ones. The Crownless King fails to do this, bu…

SOURCE: Chicago Theater Beat at 8:57pm on September 16, 2013

Review: R.U.R.: Rossum's Universal Robots (Strangeloop Theatre) by Scotty Zacher

It is in RUR: Rossum's Universal Robots that the word "robot" made its debut, coined by the playwright as a study on social justice. Here, Strangeloop Theatre presents a flawed but engaging …

SOURCE: Chicago Theater Beat at 6:33pm on September 16, 2013

Review: The Mystery of Irma Vep (Piccolo Theatre) by Scotty Zacher

Bawdy, rip-roaring comedy, scintillating drama and plot twists that involve vampires, werewolves and men in drag - The Mystery of Irma Vep serves up all this and more in a sidesplitting two-…

SOURCE: Chicago Theater Beat at 4:08pm on September 16, 2013
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