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2,260 stories from Chicago Theater Beat

Review: Madama Butterfly (Lyric Opera of Chicago) by Scotty Zacher

I'm always blown away by Puccini's haunting way he captures the misery of loving deeply and tragically. For diehard and wannabe opera lovers, this Madama Butterfly is especially exquisite. …

SOURCE: Chicago Theater Beat at 8:52pm on October 20, 2013

Review: Compulsion (Next Theatre) by Scotty Zacher

Compulsion is well-named. Rinne Groff's driving drama depicts one man's obsession with a tragedy that was more universal than he could allow. This Chicago premiere is suitably driven by Dire…

SOURCE: Chicago Theater Beat at 8:37am on October 20, 2013

Review: Ragtime (The Milwaukee Rep) by Scotty Zacher

Milwaukee Rep's production is pure perfection in its search for the American Dream. This Ragtime entertains and educates throughout, with all the sonorous, jubilant sounds of a country learn…

SOURCE: Chicago Theater Beat at 9:57pm on October 19, 2013

Review: Hammer (The Right Brain Project) by Scotty Zacher

While the show's conclusion itself is clear, it isn't quite earned by the preceding sequences. Nonetheless, whatever your interpretation of the narrative or preferences on theatrical styles,…

SOURCE: Chicago Theater Beat at 7:46pm on October 19, 2013

Review: The Life and Death of Madam Barker (Red Tape Theatre) by Scotty Zacher

Go for the spectacle but stay for the songs. Despite some clunky lyrics, these engaging tunes by piano-player John Fournier stand out in Red Tape Theatre's world-premiere showcase for the ir…

SOURCE: Chicago Theater Beat at 2:03pm on October 19, 2013

Review: The Table (Blind Summit Theatre at Chicago Shakespeare) by Scotty Zacher

               The Table Derived by the Company Directed by Mark Down  Chicago Shakespeare at Navy Pier (map) thru …

SOURCE: Chicago Theater Beat at 10:32am on October 19, 2013

Review: La Bayadère " The Temple Dancer (Joffrey Balley) by Scotty Zacher

This historic ballet is a visual and aural treat, a rarity that will appeal to newbies and veterans alike, and literally the best work I've seen this company do. In fact, Joffrey's La Bayad…

SOURCE: Chicago Theater Beat at 5:43pm on October 18, 2013

Review: A Year with Frog and Toad (Chicago Children's Theatre) by Scotty Zacher

It's been awhile since a show gave me such a good feeling as I left the theater, and hopefully it will do the same for you. Highly Recommended. (read more...)

SOURCE: Chicago Theater Beat at 8:51pm on October 17, 2013

Review: The Teddy Bears' Picnic (Emerald City Theatre) by Scotty Zacher

If you want to introduce your kids to theater, this show is a fun and creative way to do so. I'm sure your kids will have a memorable time at this charming show, and my guess is you'll enjoy…

SOURCE: Chicago Theater Beat at 6:02pm on October 17, 2013

Review: Smokefall (Goodman Theatre) by Scotty Zacher

Despite a talented cast and imaginative set, Smokefall falls fast, as Playwright Noah Haidle fails to trust the audience's ability to pick up the themes without an evening of dramatic concei…

SOURCE: Chicago Theater Beat at 9:13am on October 16, 2013

Review: Heist Play (Ruckus Theater) by Scotty Zacher

Exposing itself as an empty exercise in stylized emoting, Heist Play's histrionics are wasted since nothing seems to be at stake. It might be easy to summise that the show is too damn long,…

SOURCE: Chicago Theater Beat at 11:22pm on October 15, 2013

Review: The North China Lover (Lookingglass Theatre) by Scotty Zacher

Though all of the elements are here, adaptor/director Heidi Stillman misses one essiential thing: respect for the audience's intelligence. If only Stillman had left out the superfluous narr…

SOURCE: Chicago Theater Beat at 7:45pm on October 15, 2013

Review: Master Class (Theo Ubique Cabaret Theatre) by Scotty Zacher

Theo Ubique's production is an intimate glimpse into the sometimes tyrannical but always fascinating opera star, with thoughtful direction, transcendent vocals and a bravura lead performance…

SOURCE: Chicago Theater Beat at 9:28am on October 15, 2013

Review: Clybourne Park (Redtwist Theatre) by Scotty Zacher

Such a worthy 21st century successor to one of the most important plays of the 20th, Clybourne Park is a simply brilliant must-see. (read more...)

SOURCE: Chicago Theater Beat at 8:41pm on October 14, 2013

Review: Wrecks (Profiles Theatre) by Scotty Zacher

                Wrecks  Written by Neil LaBute   Directed by Jason Gerace at Profiles Theatre, 4147 N. Br…

SOURCE: Chicago Theater Beat at 4:39pm on October 14, 2013

Review: The Binding (Theatre Y) by Scotty Zacher

An artistic yet ostentatious exploration of morality, this entire production is a visual treat. Unfortunately, however, the whole is less than the sum of its parts here. This is all a shame,…

SOURCE: Chicago Theater Beat at 4:13pm on October 14, 2013

Review: They Saved Hitler's Brain and Put It in Walt Disney (The Charnel House) by Scotty Zacher

What begins as a fairly interesting premise as outlined in the title soon degenerates into random acts of sex and violence. What you're left with is two hours of pointless depravity. (read …

SOURCE: Chicago Theater Beat at 10:48am on October 13, 2013

Review: Once (Broadway in Chicago) by Scotty Zacher

A profoundly moving piece of theater. Highly Recommended.

SOURCE: Chicago Theater Beat at 7:37pm on October 12, 2013

Review: Otello (Lyric Opera of Chicago) by Scotty Zacher

Otello kicks off the Lyric season with panache, proving once again why it is America's premier opera house. Not only is their cast stellar, but they have depth on the bench ready to dress an…

SOURCE: Chicago Theater Beat at 4:06pm on October 12, 2013

Review: Fall Series 2013 (Hubbard Street Dance Chicago) by Scotty Zacher

Hubbard Street's 2013 Fall Series is a painting of thought processes mingled with pure passion, coming together to create an exciting, thoroughly satisfying program. (read more...)

SOURCE: Chicago Theater Beat at 11:37pm on October 11, 2013

Review: Directions for Restoring the Apparently Dead (Pride Films and Plays) by Scotty Zacher

Throughout the show, Directions for Restoring the Apparently Dead gives helpful tips for reviving someone that is lifeless. It's clever schtick. We just would recommend the play embrace it…

SOURCE: Chicago Theater Beat at 10:52pm on October 10, 2013

Review: Northanger Abbey (Remy Bumppo) by Scotty Zacher

Northanger Abbey is a lot to love. Although Act I could be tightened up, the overall show is one big, beautiful, bright frolic. In dire need of a romantic comedy? This will solve your cra…

SOURCE: Chicago Theater Beat at 9:13am on October 10, 2013

Review: Lydia (National Pastime Theater) by Scotty Zacher

               Lydia Written by Octavio Solis  Directed by Cecilie Keenan National Pastime Theater, 941 W. Lawrence (map…

SOURCE: Chicago Theater Beat at 9:04am on October 9, 2013

Review: Gershwin's Greatest Hits (Light Opera Works) by Scotty Zacher

                Gershwin's Greatest Hits  Music by George Gershwin  Directed by George Andrew Wolff at Nichols…

SOURCE: Chicago Theater Beat at 9:35am on October 8, 2013

Review: Cyrano de Bergerac (Chicago Shakespeare Theater) by Scotty Zacher

With Anthony Burgess' translation of the ultimate rom-com tear-jerker, Chicago Shakespeare mounts a sumptuous love story on a scale as monumental as the unfortunate snout of it titular hero.…

SOURCE: Chicago Theater Beat at 10:10am on October 7, 2013
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