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35,726 stories from The Guardian

Enough review " the unstoppable force of women by Michael Billington

Traverse, EdinburghStef Smith's latest production depicts the two female leads rejecting male classification and raising themselves up Stef Smith wrote a fascinating dystopian drama in Human…

SOURCE: The Guardian at 3:32pm on August 4, 2019

Like Animals review " sweet two-hander challenges limits of language by Catherine Love

Summerhall, EdinburghWith a flurry of feathers and splash of water, Kim Donohoe and Pete Lannon ask how much can ever know another creature At a moment when we urgently need to reassess our …

SOURCE: The Guardian at 2:12pm on August 4, 2019

Edinburgh festival performers refuse sterling payments due to Brexit by Frances Perraudin

Artists ask to be paid in euros and dollars as pound continues to fall amid no-deal risk Increasing numbers of artists are asking to be paid in dollars and euros instead of sterling because …

SOURCE: The Guardian at 2:12pm on August 4, 2019

Terrifying trapeze and homeless histories: Edinburgh festival 2019 " in pictures by Murdo Macleod

Our photographer hits the ground running to capture highlights, from a journey through Kate Grenville's The Secret River to a fierce look at power by comedian Lucy McCormick Continue reading…

SOURCE: The Guardian at 1:12pm on August 4, 2019

The Crucible review " white-hot intensity in reinvention of Miller classic by Anna Winter

Edinburgh PlayhouseMomentous dance and strong performances make Helen Pickett's canny reworking of the story a gift of a show Choreographer Helen Pickett's clever reinvention of The Crucible…

SOURCE: The Guardian at 1:12pm on August 4, 2019

La Reprise: Histoire(s) du Theatre (I) review " compassion and curiosity in recreation of a murder by Michael Billington

Royal Lyceum, EdinburghDirector Milo Rau asks disturbing political questions while attempting to honour the real-life victim of a senseless homophobic crime This is exactly the kind of show …

SOURCE: The Guardian at 10:06am on August 4, 2019

Catherine Cohen review " stellar strychnine-laced cabaret by Brian Logan

Pleasance Courtyard, EdinburghCohen crackles with attitude as she serves up an alarming but entertaining song-and-chat about sex, love and self-image One of the most eye-catching newcomers a…

SOURCE: The Guardian at 10:06am on August 4, 2019

Conspiracy review " would-be detectives try to crack the case by Kate Wyver

Underbelly, EdinburghBarrel Organ are on the trail of something in this bewildering piece of devised theatre, but something's not right My notes are full of question marks. In a retreat from…

SOURCE: The Guardian at 10:06am on August 4, 2019

Superstar review " Coldplay singer Chris Martin's little sis steps into the spotlight by Mark Fisher

Underbelly Cowgate, EdinburghNicola Wren deploys considerable charm in a not-really-showbiz story of childhood pantos, movie bit-parts and self-acceptance The Edinburgh fringe is good at bri…

SOURCE: The Guardian at 7:33am on August 4, 2019

John Robins review " dating and DIY from standup's funniest fall-guy by Brian Logan

Pleasance Courtyard, EdinburghRobins delivers a masterclass in tone, tempo and character as he shares his failed attempts at flirting and home improvement If you're John Robins, there's alwa…

SOURCE: The Guardian at 7:33am on August 4, 2019

Spartacus review " a rollicking night out with the Bolshoi by Roslyn Sulcas

Royal Opera House, LondonWhat Yuri Grigorovich's Soviet-era ballet lacks in subtlety it makes up for in sheer virtuosity and spectacle Liberation! Courage! Indomitable will! Sacrifice for th…

SOURCE: The Guardian at 6:24am on August 4, 2019

Poison and politics… Lucy Prebble puts the Litvinenko case on stage by Tim Adams

The Enron playwright talks about retelling the murder of the KGB whistleblower, our surreal political era, and how Billie Piper helped her through dark times Lucy Prebble operates an "elepha…

SOURCE: The Guardian at 6:24am on August 4, 2019

Peter Pan review " it's all over the place, Darling by Kate Kellaway

Troubadour White City, LondonDespite a soaring lead and plenty of ideas, this production doesn't quite get off the ground Although a new theatre ought to be a cause for celebration, the Trou…

SOURCE: The Guardian at 6:24am on August 4, 2019

Simon Brodkin review " the private life of prankster Lee Nelson by Brian Logan

Pleasance Courtyard, EdinburghThe comic best known as a cheeky-chappy explores male emotional inarticulacy and antisemitism When you've pranked Theresa May at the Tory conference, or public…

SOURCE: The Guardian at 11:33am on August 3, 2019

Sophie Duker review " charismatic comic's eye-catching debut by Brian Logan

Pleasance Courtyard, EdinburghIn her show Venus, the standup explores her sexuality, education and how black people are used as props in white narratives 'What colour am I?" Sophie Duker as…

SOURCE: The Guardian at 11:33am on August 3, 2019

The week in theatre: Uncle Vanya; There Is a Light That Never Goes Out; Malory Towers " review by Clare Brennan

Theatre Royal Bath; Royal Exchange, Manchester; Passenger Shed, BristolRupert Everett's astute direction of Chekhov results in a meeting of minds, and a luddite history is given a modern edg…

SOURCE: The Guardian at 11:33am on August 3, 2019

Collapsible review " a woman desperately seeking herself by Kate Wyver

Assembly Roxy, EdinburghOn display like a bust in a museum, Breffni Holahan is superb in this Beckettian monologue by Margaret Perry Breffni Holahan gives a searing performance as Essie in M…

SOURCE: The Guardian at 10:18am on August 3, 2019

Indigenous Contemporary Scene review " resistance, revenge and jolly cabaret by Mark Fisher

Songs in the Key of Cree, Deer Woman and Kiinalik: These Sharp Tools, three shows by Canada's Indigenous artists, are presented at the Edinburgh festival This summer, Canada's National Inqui…

SOURCE: The Guardian at 7:33am on August 3, 2019

Art Heist review " clever and chaotic study of art's value by Catherine Love

Underbelly, EdinburghPoltergeist's mischievous show asks how we determine the worth and meaning of artworks A plastic shoe, scuffed around the edges, sits atop a white plinth. A figure stan…

SOURCE: The Guardian at 6:24am on August 3, 2019

Milton Jones: 'I've never had a funny hairstyle' by Harriet Gibsone

The standup, writer and Mock the Week regular on the things that make him laugh the mostNot the Nine O'Clock News, specifically Gerald the gorilla. Continue reading...

SOURCE: The Guardian at 3:42am on August 3, 2019

Mr Gum and the Dancing Bear review " children's musical is a sticky mess by Miriam Gillinson

Dorfman theatre, LondonAndy Stanton's adaptation of his own children's books is packed with eccentricity and verbal flourishes " all at the expense of the story This is no ordinary family sh…

SOURCE: The Guardian at 2:48pm on August 2, 2019

Rich Kids: a History of Shopping Malls in Tehran review " dazzling and discombobulating by Mark Fisher

Traverse, EdinburghJavaad Alipoor's kaleidoscopic show delves below the compellingly shocking behaviour to lay bare an epoch-spanning vision of human waste The sensation of racing a high-per…

SOURCE: The Guardian at 2:48pm on August 2, 2019

Performers fear rising rents threaten future of Edinburgh fringe by Lanre Bakare

Artists say event will become unsustainable and increasingly elitist if costs keep spiralling Concerns over spiralling rents have dominated the lead-up to this year's Edinburgh festival frin…

SOURCE: The Guardian at 7:42am on August 2, 2019

'Kathy Acker was incredibly warm " but her writing was so aggressive' by Claire Armitstead

As she prepares to direct an unstaged script by the late pirate queen of counterculture, theatre-maker Kate Valk recalls how they met " and how she dealt with Acker's challenging attitude to…

SOURCE: The Guardian at 5:33am on August 2, 2019

Grassroots project addresses Edinburgh fringe's 'overwhelming whiteness' by Maya Wolfe-robinson

Fringe of Colour campaigns to persuade venues to give free tickets to young local people of colour It prides itself on being the biggest arts festival in the world, but the "overwhelming whi…

SOURCE: The Guardian at 5:33am on August 2, 2019
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