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Orlando review " Katie Mitchell's gleeful celebration of gender fluidity by Gareth LlÅ·r Evans

Schaubühne, BerlinVirginia Woolf's promiscuous poet flits between the past and the present in this rousing and spectacularly elaborate show The titular character in Virginia Woolf's 1928 novel Orlando is often seen standing at windows and their framing is recurring motif: in mirrors, in paintings and photographs and by shifting societal expectations. Such frames feature prominently in Katie Mitchell's new multimedia…

SOURCE: The Guardian at 08:03AM on September 13, 2019

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