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8,108 stories from DC Theatre Scene

Review: She a Gem, Double Dutch lessons at The Kennedy Center by Christopher Henley

Double Dutch equals freedom. A character in She A Gem, on-stage at The Kennedy Center's Family Theater through Feb. 24th, says that, or something to that effect, early in the hour-long show.…

SOURCE: DC Theatre Scene at 11:02am on February 20, 2019

Kevin Laughon, age 49, committed suicide this morning. by Lorraine Treanor

The Washington theatre community is in shock today as news is spreading that Kevin Laughon, performer and  multi-talented theatre technician, left a message on Facebook early this morning…

SOURCE: DC Theatre Scene at 4:32pm on February 19, 2019

Review: Thunder Knocking on the Door. Creative Cauldron's hit returns by Debbie Minter Jackson

Filled with down home moaning blues sprinkled with glittering magical realism, Thunder Knocking on the Door is packing the house at Creative Cauldron.  In a small southern Alabama town, a…

SOURCE: DC Theatre Scene at 1:18pm on February 19, 2019

Among the Dead review: a war crimes survivor and a playful Korean ghost story at Spooky Action Theater by Kate Colwell

Despite its premiere date of February 14, Among the Dead is not a Valentine's Day play. Written by Hansol Jung, a world-traveling playwright and director from South Korea, Among the Dead is …

SOURCE: DC Theatre Scene at 1:18pm on February 19, 2019

The Heiress review, a triumph for Laura C. Harris, leading Arena's fine cast by Tim Treanor

We knew about autism in 1947, when Ruth and Augustus Goetz translated Henry James’ “Washington Square” to the stage as The Heiress, but we understood it only as a sum-zero …

SOURCE: DC Theatre Scene at 1:48pm on February 18, 2019

Review: Richard the Third, David Muse's grisly version at Shakespeare Theatre Company by Roy Maurer

Director David Muse's Richard the Third is clearly rendered, scored to propulsive industrial rock and sets itself apart from previous productions by a series of grisly execution scenes, b…

SOURCE: DC Theatre Scene at 10:48am on February 15, 2019

Review: WORLD STAGES' NeoArtic " disturbing, challenging and strangely beautiful by Susan Galbraith

Temperatures dropped sharply inside the Kennedy Center last night; they rose again exponentially. There were other, sometime violent, meteorological disturbances. In short, in the space of 8…

SOURCE: DC Theatre Scene at 1:54pm on February 14, 2019

Review: Cyrano de Bergerac. A knockabout clown in love with a tiny dancer by Jeffrey Walker

Confession time: When I fell in love with theatre, I really fell for Cyrano, Roxanne, Christian and their heady love triangle. And the swashbuckling. And the language. Edmond Rostand's heroi…

SOURCE: DC Theatre Scene at 12:48pm on February 14, 2019

Review: Huckleberry Finn's Big River at Adventure Theatre MTC by Jeffrey Walker

Adventure Theatre MTC in Glen Echo Park has put runaways Huck and Jim back on a raft down the mighty Missisippi in a revamped version of the musical Big River, itself based on Mark TwainR…

SOURCE: DC Theatre Scene at 11:42am on February 14, 2019

Studio Theatre will sever ties with their famed acting conservatory. Here's Joy Zinoman's plan by Tim Treanor

The Studio Theatre Acting Conservatory, which has turned out professional actors for forty-three years, will no longer be affiliated with Studio Theatre after this summer, founder Joy Zinoma…

SOURCE: DC Theatre Scene at 3:24pm on February 13, 2019

The Wolves review. Teens playing teens pays off for NextStop in Sarah DeLappe's Pulitzer-nominated play by Tim Treanor

Imagine a mass of humans in a great hubbub and babble of conversation. It could be the House of Representatives before the gavel sounds, or the nave of a church in the moment before services…

SOURCE: DC Theatre Scene at 11:04am on February 13, 2019

Review: Anatole: Mouse Magnifique, ageless fun at Imagination Stage by Kate Gorman

Imagination Stage has put together a tasty spread of charming adventures in their musical production of Anatole: Mouse Magnifique. The show has a smorgasbord of delights that consider not on…

SOURCE: DC Theatre Scene at 9:54am on February 13, 2019

Shakespeare Theatre Company's 2019/2020 season " Simon Godwin's announces: new 'classics', new children's musical and 2019's Free For Al by Guest Writer

William Shakespeare will get two of the six slots in Simon Godwin’s debut season at Shakespeare Theatre Company (STC), along with four playwrights never before seen on STC’s stag…

SOURCE: DC Theatre Scene at 9:54am on February 13, 2019

Review: GALA's El viejo, el joven y el mar (The Old Man, the Youth, and the Sea) by Emily Priborkin

Twentieth-century Spanish writer Miguel de Unamuno wasn't afraid to criticize Spain's government. Though Irma Correa’s El viejo, el joven y el mar is a fictional depiction of Unamun…

SOURCE: DC Theatre Scene at 8:48am on February 13, 2019

Review: Once at Olney Theatre Center, a love story that only comes around once by Missy Frederick

As a film, the tiny indie musical Once (shot over 17 days for a mere $150,000) was such an unlikely hit that it's easy to be cynical over whether a big-budget Broadway adaptation could captu…

SOURCE: DC Theatre Scene at 1:42pm on February 11, 2019

Review: BLKS, poet Aziza Barnes' breakout play, is cracking them up at Woolly by Kate Colwell

BLKS at Woolly Mammoth Theatre Company starts and ends with a scream, for reasons you cannot guess. Despite unexpected turns in the plot, you can count on BLKS to consistently provide a fron…

SOURCE: DC Theatre Scene at 12:36pm on February 11, 2019

Review: John Cameron Mitchell's Origin of Love Tour by John Bavoso

They say you should never meet your heroes, but what about crowd-surfing them? That was what I was thinking the night of February 8, as I helped keep John Cameron Mitchell aloft as he made h…

SOURCE: DC Theatre Scene at 10:24am on February 11, 2019

Review: Shame 2.0 with Comments from the Populace. Truth on stage by Susan Galbraith

Billed as a workshop production to which the press was invited, Mosaic Theater Company's Shame 2.0 with Comments from the Populace opened Thursday night with all hands on deck in solidarity …

SOURCE: DC Theatre Scene at 10:36am on February 9, 2019

Review: Nell Gwynn at Folger. A roaring good time on Capitol Hill by Jayne Blanchard

If there was ever a time for a bit of cheek, it's now. We could all use some impudent humor, especially of the female variety. And there's no better place than the august Folger Theatre, whe…

SOURCE: DC Theatre Scene at 9:32am on February 8, 2019

No space for their new company? How Prologue Theatre solved it and debuted Grand Concourse by Jon Jon Johnson

The DC Area's artistic community has seen the rise and fall of many theatre companies. As the cost of space rentals in DC increase, we see fewer and fewer performing spaces for theatres with…

SOURCE: DC Theatre Scene at 6:06pm on February 7, 2019

Seema Sueko on directing the "revolutionary thriller from the heart", The Heiress by Keith Loria

On Valentine's Day this year, Arena Stage will open The Heiress, adapted from the 1880 Henry James novel Washington Square by playwrights Ruth and Augustus Goetz. While the play may se…

SOURCE: DC Theatre Scene at 6:06pm on February 7, 2019

Review: Alvin Ailey Dance Theater at The Kennedy Center by Susan Galbraith

A lone figure stood in the spotlight at the start of what I've come to think of as Washington's most sparkling gala event. In the Opera House space which could have easily swallowed her up a…

SOURCE: DC Theatre Scene at 1:36pm on February 7, 2019

Next Stop: North Korea. John Feffer's next solo show brings us in-country insights into that shuttered country by John Feffer

With a second summit between the leaders of the U.S. and North Korea, Donald Trump and Kim Jong Un, scheduled for the end of this month in Vietnam, the timing for John Feffer’s latest�…

SOURCE: DC Theatre Scene at 10:24am on February 7, 2019

Philosophus review. Best Medicine Rep finds a farce to remedy our times by Debbie Minter Jackson

Farce is not as easy to pull off as it looks.  Add mounds of glorious text inspired by the freedom spouting French philosopher Francois-Marie Arouet, a.k.a Voltaire, and you've got quite …

SOURCE: DC Theatre Scene at 2:54pm on February 6, 2019

Review: The Master and Margarita, an eccentric production worthy of its origin by Missy Frederick

Abrupt decapitations. A chatty, fiendish cat. Magical sorcery onstage and off. An epic costumed ball thrown by Satan himself. On its surface, The Master and Margarita doesn't seem like the e…

SOURCE: DC Theatre Scene at 2:54pm on February 6, 2019
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