We knew about autism in 1947, when Ruth and Augustus Goetz translated Henry James’ “Washington Square” to the stage as The Heiress, but we understood it only as a sum-zero disorder: the patient was either irreparably locked into an impenetrable, uncommunicative state or he was not. Now, of course, we understand autism to be a […] The post The Heiress review, a triumph for Laura C. Harris, lead…
SOURCE: DC Theatre Scene at 01:48PM on February 18, 2019