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158 stories from Scheck on the Arts

Review: Now.Hear.This by Frank Scheck

Those impish wags from [title of show] are back to their meta-theatrical tricks in their new, similarly whimsically titled new musical. Starring Hunter Bell, Susan Blackwell, Heidi Blickenst…

SOURCE: Scheck on the Arts at 5:54am on March 29, 2012

Review: Regrets by Frank Scheck

Rising British playwright Matt Charman reveals a fascination with the darker aspects of ‘50s era American society in Regrets, now receiving its world premiere from the Manhattan Theatr…

SOURCE: Scheck on the Arts at 5:52am on March 28, 2012

Review: 'Tis Pity She's a Whore by Frank Scheck

The last time I checked, incest between a brother and sister was still considered relatively abhorrent.   So it naturally comes as a surprise that the Cheek by Jowl production of John …

SOURCE: Scheck on the Arts at 6:11am on March 26, 2012

Review: Jesus Christ Superstar by Frank Scheck

Jesus Christ Superstar, which began its life as a concept album, has always been more fun to listen to than actually watch. But the new Broadway revival--imported from the Stratford Shakespe…

SOURCE: Scheck on the Arts at 6:41am on March 23, 2012

Review: Death of a Salesman by Frank Scheck

Whenever there’s a new revival of Death of a Salesman people marvel at the fact that it seems so newly relevant. But it’s not that society is changing but rather that Arthur Mill…

SOURCE: Scheck on the Arts at 4:10am on March 16, 2012

Review: An Iliad by Frank Scheck

The simple act of storytelling is a time-honored theatrical tradition. But it can also a hackneyed one. Case in point: An Iliad, the new one-man show—well, technically two man, but mor…

SOURCE: Scheck on the Arts at 5:27am on March 9, 2012

Review: The Lady From Dubuque by Frank Scheck

Not that I’m in any rush, but whenever death comes for me I hope it takes the form of the Lady from Dubuque.   As elegantly personified by Jane Alexander in the Signature Theatre…

SOURCE: Scheck on the Arts at 4:53am on March 7, 2012

Review: Tribes by Frank Scheck

On its surface, Tribes is concerned with a young deaf man’s sudden decision to embrace sign language rather than rely on lip-reading. But that description doesn’t do justice to N…

SOURCE: Scheck on the Arts at 8:25am on March 5, 2012

Review: Carrie by Frank Scheck

The original musical version of Carrie was a notorious flop upon its 1988 Broadway premiere--it closed after five performances at a loss of millions of dollars, nearly destroyed the reputati…

SOURCE: Scheck on the Arts at 3:01am on March 2, 2012

Review: Assistance by Frank Scheck

Tyrannical bosses should be more careful about mistreating their employees. Their victims may very well develop into talented playwrights who will later skewer them in viciously funny fashio…

SOURCE: Scheck on the Arts at 6:08am on February 29, 2012

Review: Galileo by Frank Scheck

With partisan politics injecting itself into scientific debate with dismaying frequency these days, Bertolt Brecht’s Galileo has a disturbing modern resonance. While the Classic Stage …

SOURCE: Scheck on the Arts at 7:03am on February 24, 2012

Review: Early Plays by Frank Scheck

Although the stage seems bare for The Wooster Group’s production of Eugene O’Neill’s Early Plays, it actually contains an awful lot of baggage. The troupe is well known for…

SOURCE: Scheck on the Arts at 6:20am on February 23, 2012

Review: Blood Knot by Frank Scheck

It may be heretical to say, but seeing Athol Fugard’s landmark 1961 drama Blood Knot again, even in a superbly realized revival such as the one being presented by the Signature Theatre…

SOURCE: Scheck on the Arts at 6:18am on February 17, 2012

Review: Look Back in Anger by Frank Scheck

It’s ironic that John Osborne’s classic drama Look Back in Anger is now as much of a period piece as the “well-made plays” it was attempting to usurp. This work--whic…

SOURCE: Scheck on the Arts at 7:00am on February 3, 2012

Review: Russian Transport by Frank Scheck

Beware sexy Russian men bearing gifts. That seems to be the primary message of Russian Transport, the new play by Erika Sheffer being given its world premiere by the New Group. This uneasy b…

SOURCE: Scheck on the Arts at 5:09am on January 31, 2012

Review: Wit by Frank Scheck

Margaret Edson has just written one play in her life, the brilliant Wit, now receiving its Broadway premiere a mere seventeen years after it was first produced and went on to win nearly ever…

SOURCE: Scheck on the Arts at 6:58am on January 27, 2012

Review: Richard III by Frank Scheck

Reunited with his American Beauty director, Sam Mendes, Kevin Spacey pulls out all the stops with his devilishly entertaining turn in the title role of the Bridge Project’s production …

SOURCE: Scheck on the Arts at 5:58am on January 19, 2012

Review: The Road to Mecca by Frank Scheck

The plays of Athol Fugard often require heavy lifting on the part of an audience. That’s particularly true of his 1987 drama The Road to Mecca, now being given its Broadway premiere in…

SOURCE: Scheck on the Arts at 4:54am on January 18, 2012

Review: The Gershwins' Porgy and Bess by Frank Scheck

Composer Stephen Sondheim will probably be appeased when he sees The Gershwins’ Porgy and Bess, the reconceived revival of the classic opera by George and Ira Gershwin and, oh yes, lib…

SOURCE: Scheck on the Arts at 6:40am on January 13, 2012

Review: Outside People by Frank Scheck

The Chinese language is all that one seems to be hearing lately. Not only did presidential candidate Jon Huntsman resort to Mandarin while rebuking Mitt Romney during a recent debate, but Da…

SOURCE: Scheck on the Arts at 6:43am on January 11, 2012

Review: Close Up Sapce by Frank Scheck

David Hyde Pierce somehow always manages to project a vaguely uncomfortable, awkward quality in his characters. It feels totally appropriate for Close Up Space, the uncomfortable, awkward ne…

SOURCE: Scheck on the Arts at 3:56am on December 23, 2011

Review: Farm Boy by Frank Scheck

In what surely must be purely coincidental timing, Farm Boy has arrived for a holiday engagement at 59E59 Theaters. Michael Morpungo’s “sequel” to his War Horse has opened …

SOURCE: Scheck on the Arts at 5:33am on December 22, 2011

Review: Misterman by Frank Scheck

The cavernous St. Ann’s Warehouse provides the perfect theatrical environment for Misterman, Irish playwright Enda Walsh’s one-person play starring Cillian Murphy in his U.S. sta…

SOURCE: Scheck on the Arts at 5:24am on December 20, 2011

Review: Elective Affinities by Frank Scheck

Good luck scoring an invitation to the most exclusive social reception in town. It’s being held at the palatial and luxurious Fifth Avenue townhouse belonging to the very wealthy Mrs. …

SOURCE: Scheck on the Arts at 7:14am on December 16, 2011

Review: Lysistrata Jones by Frank Scheck

The near demise of commercial off-Broadway has resulted in a plethora of unsuitable Broadway productions of tiny shows that look awfully wan in big theaters. The latest example is Lysistrata…

SOURCE: Scheck on the Arts at 5:57am on December 15, 2011
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