It may be heretical to say, but seeing Athol Fugard’s landmark 1961 drama Blood Knot again, even in a superbly realized revival such as the one being presented by the Signature Theatre, is to be reminded how tedious it is. Such is the case, I’m afraid, with many of the playwright’s works, despite their historical and sociological importance. With one or two exceptions--Master Harold and the Boys bei…
SOURCE: Scheck on the Arts at 06:18AM on February 17, 2012