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2,260 stories from Chicago Theater Beat

Review: For the Loyal (Interrobang Theatre Project) by Lauren Whalen

What does loyalty mean? How far does it go? And what if your loyalty (or lack of) affects your livelihood and the ability to support your family? Award-winning playwright Lee Blessing tackle…

SOURCE: Chicago Theater Beat at 7:53pm on January 22, 2018

Review: Nevermore (Black Button Eyes Productions) by Scotty Zacher

                       Nevermore   Book/Music/Lyrics by Jonathan Christenson at Edge …

SOURCE: Chicago Theater Beat at 12:42am on January 16, 2018

Review: BLKS (Steppenwolf Theatre) by Lauren Whalen

Playwright and poet Aziza Barnes wrote BLKS as a self-portrait of herself and her best friends in her early 20s. Full of laugh-out-loud moments as well as dark humor and quiet poignancy, BLK…

SOURCE: Chicago Theater Beat at 4:12pm on December 22, 2017

Review: Potted Potter (Broadway in Chicago, 2017) by Lauren Whalen

*Potted* means condensed. *Potter,* at least in this case, means Harry Potter, a child wizard and the center of seven books that propelled J.K. Rowling from broke schoolteacher to wealthy me…

SOURCE: Chicago Theater Beat at 5:54pm on December 19, 2017

Review: Red Velvet (Chicago Shakespeare Theater) by Lauren Whalen

Chicago Shakespeare Theater's Red Velvet chronicles Ira Aldridge's groundbreaking but ill-timed two-day run as Othello at Covent Garden in 1833, the first African-American actor to star on a…

SOURCE: Chicago Theater Beat at 8:24pm on December 12, 2017

Review: Beautiful (Broadway in Chicago, 2017) by Duane Barnes

Throwback Thursday review - Lights! Action! Music! With that beginning, Carole King (played by local actress Sarah Bockel) takes us on a musical ride through her life, highs and lows, wins a…

SOURCE: Chicago Theater Beat at 6:06pm on December 11, 2017

Review: The Minutes (Steppenwolf Theatre) by Lauren Whalen

When Tracy Letts' newest play, The Minutes, is good, it's very, very good, and that's the case for the play's first 90-95 minutes. As a small-town transplant myself, I can verify the hilario…

SOURCE: Chicago Theater Beat at 12:18am on December 9, 2017

Review: The Nutcracker (Joffrey Ballet, 2017) by Lauren Whalen

Now in its second glorious year, Joffrey Ballet's updated The Nutcracker, set during the construction of Chicago's 1893 Worlds Fair in an immigrant family's shack and their daughter's fantas…

SOURCE: Chicago Theater Beat at 9:36pm on December 6, 2017

Review: Altar Boyz (Theo Ubique Cabaret Theatre) by Lauren Whalen

One of off-Broadway's longest-running shows, the boy band parody Altar Boyz is a real-time concert of a Christian boy band who love singing and dancing - but love Jesus even more. Theo Ubiqu…

SOURCE: Chicago Theater Beat at 7:12pm on December 5, 2017

Review: Rudolph the Red-Hosed Reindeer (Hell in a Handbag Productions, 2017) by Lauren Whalen

Based on the 1967 children's TV special, this fun Rudolph chronicles the adventures of a North Pole reindeer (Graham Thomas Heacock) who just doesn't fit in with his peers - he just can't co…

SOURCE: Chicago Theater Beat at 5:06pm on December 5, 2017

Review: Wedding Band (The Artistic Home) by Duane Barnes

Alice Childress's classic play Wedding Band, a tragic love story of interracial love set in 1918 South Carolina, is marvelously done, the cast doing a superb job of employing the dialect of …

SOURCE: Chicago Theater Beat at 3:12pm on December 2, 2017

Review: Othello (Invictus Theatre Company) by Lauren Whalen

In Invictus Theatre Company's inaugural production of Othello, Iago is played as a woman. Her strong performance and a largely solid ensemble are not enough, however, to save a weak lead and…

SOURCE: Chicago Theater Beat at 8:48pm on November 30, 2017

Review: Fade (Teatro Vista and Victory Gardens Theater) by Lauren Whalen

Victory Gardens' latest play, Fade, a co-production with Teatro Vista, features the relationship of two very different Latinx individuals who happen to work in the same building. Fade is fun…

SOURCE: Chicago Theater Beat at 10:04pm on November 29, 2017

Review: Tick, Tick…BOOM! (The Cuckoo's Theater Project) by Lauren Whalen

Running 90 minutes with no intermission, Tick, Tick...BOOM! is poignant but inconsistent, with a score that's lovely and touching but also frustrating and dreary. The Cuckoo's Theater Projec…

SOURCE: Chicago Theater Beat at 10:04pm on November 28, 2017

Review: The Pearl Fishers (Lyric Opera) by Lauren Whalen

Everyone loves a good, tragic love story, and Lyric Opera's The Pearl Fishers doesn't disappoint. Its two-and-a-half-hour running time is shorter than that of the average opera, making it a …

SOURCE: Chicago Theater Beat at 7:42pm on November 26, 2017

Review: Yasmina's Necklace (Goodman Theatre) by Lauren Whalen

Yasmina's Necklace is very Muslim in its theme, but also very American " unique yet universal. Thoughtfully directed by Ann Filmer, and featuring a gifted ensemble, the Chicago premiere of M…

SOURCE: Chicago Theater Beat at 8:48pm on November 19, 2017

Review: Breath, Boom (Eclipse Theatre) by Lauren Whalen

Breath, Boom is never an easy watch, challenging the audience to check its collective privilege and watch a survivor endure her darkest years with only small flashes of optimism. Beautifully…

SOURCE: Chicago Theater Beat at 10:33pm on November 17, 2017

Review: Lizzie (Firebrand Theatre) by Lauren Whalen

Firebrand Theatre's Lizzie is an all-female rock musical about the the true story of Lizzie Borden, whose alleged axe murder of her father and stepmother in 1892 led to a media frenzy, a nur…

SOURCE: Chicago Theater Beat at 8:12pm on November 16, 2017

Review: Lysistrata Jones (Refuge Theatre Project) by Scotty Zacher

Spike Lee's recent film Chiraq adapted Lysistrata to Chicago's South Side, replacing an epic Greek war with equally epic gang violence. The stakes in Lysistrata Jones? Basketball. More speci…

SOURCE: Chicago Theater Beat at 4:36am on November 15, 2017

Review: School of Rock (Broadway in Chicago) by Lauren Whalen

With a running time of just over 2 hours, School of Rock is just as winning as the original film. Taking an underdog story and blending it with cute kids and a rousing score, the musical mak…

SOURCE: Chicago Theater Beat at 8:24pm on November 10, 2017

Review: Akeelah and the Bee (Adventure Stage Chicago) by Lauren Whalen

With Akeelah and the Bee, Adventure Stage Chicago has adapted the 2006 screenplay, relocating the story to the South Side of Chicago, adding Spanish supertitles to make the show more accessi…

SOURCE: Chicago Theater Beat at 12:48am on November 10, 2017

Review: Fun Home (Victory Gardens Theater) by Catey Sullivan

In Victory Gardens' triumphant "Fun Home", Director Gary Griffin's ensemble will break your heart with their ability to embody the characters in Alison Bechdel's story, especially Rob Lindle…

SOURCE: Chicago Theater Beat at 10:54pm on November 4, 2017

Review: Bobby Pin Girls (Nothing Without A Company) by Lauren Whalen

Besides its humor, Bobby Pin Girls tackles issues such as addiction, self-harm and toxic masculinity without being manipulative or heavy-handed, which is a skill on its own. Nothing Without …

SOURCE: Chicago Theater Beat at 7:04pm on November 3, 2017

Review: Giselle (Joffrey Ballet) by Lauren Whalen

The Joffrey Ballet's premiere of a newly-staged Giselle doesn't disappoint, wringing out every possible drop of excitement, in a production that's equal parts breathtaking and horrifying, ha…

SOURCE: Chicago Theater Beat at 10:42pm on October 25, 2017

Review: The Taming of the Shrew (Chicago Shakespeare, 2017) by Catey Sullivan

Chicago Shakespeare's Taming of the Shrew is a fine production of a play that doesn't deserve the resources lavished on it. For all the prodigious talent on stage, Shrew remains an endorseme…

SOURCE: Chicago Theater Beat at 10:33pm on October 21, 2017
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